THE RECESSION AND HOW TO LIVE THROUGH IT by Charles Potts

Reposted from January 2009—because it still applies… —Ed.

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January 28, 2009

THE RECESSION AND HOW TO LIVE THROUGH IT
by Charles Potts

[Arthur editor] Jay Babcock has tempted me with the phrase, “It would be great if you wrote something on this subject,” referring to the subject line of his email, “The recession and how to live through it.”

I’ll take the bait. This is more than a recession. This is going to be a huge depression, with the “recovery” way off in the distance.

A recession, per Christopher Wood, desk chair person for The Economist in Tokyo circa 1995, is “a superabundance of inventory, and can be melted off the shelf; a depression is a superabundance of capacity” and takes much longer to get out of. Remember that it took the bean counters in Wash DC a full year to confirm the economy was in recession, and there’s a lot of over-the-counter chatter about how this recession is already longer than the one in, take your pick: 1976-1980-1991-etc. However, look around you and notice the superabundance of capacity. The industrial hind end of Europe, Japan, the US and China plus all else, can easily produce multiple times more automobiles, cell phones, TVs, computers, refrigerators, et al. than anybody with funds can buy.

This is the fourth major deflationary price collapse in the past 600 years. In the three previous price collapses, there was a long period afterward when prices did not recover their pre-fall levels for decades. Prices last collapsed hard in 1815 after Wellington’s victory over Napoleon at Waterloo; the period from 1815-1896 has been called by economists The Victorian Equilibrium. Many things contributed to this low-level stability, but it is sobering to realize there was scant inflation in the United States during the 19th century. (Inflation, by the by, is not necessarily a bad thing. Inflation simply moves assets around the game board from creditors to debtors; it doesn’t actually destroy anything except purchasing power if all you have is cash. In deflation, which we’re going through now, cash will buy a lot. During inflation it is better to have hard assets that increase in value at least at the same rate as cash.)

Will it take eight decades before the world economy is go-go again?

My reference to 1815 isn’t casual. I just re-read David Hackett Fischer’s The Great Wave: Price Revolutions and the Rhythm of History. His book is about the three previous big price collapses: in the early 14th century when the Black Death ended the so called “Middle” ages; then, circa 1492, when prices collapsed during the Renaissance, and we encircled ourselves globally; and the aforementioned 1815. What’s so crucial about 1815 is it is also the date and the event that Oswald Spengler (The Decline of the West) identifies as the moment Western culture went sideways and into “civilization,” cf. Napoleon at Waterloo. Fischer’s graphs of how the prices rose and fell, can be superimposed one over another. This collapse we’re in, the big one for the rest of our lives, started 20 years ago in Japan in 1989, has hit Argentina and most of Latin America, Russia twice now, and finally the big fish, the rest of Europe and the US. Even Doha is scaling back!

The powers that be with their printing presses will print money and throw it at the wall until enough of it sticks. Some activities will appear to return to normalcy. But you shouldn’t wait for the influx of money to turn deflation into inflation, just as you shouldn’t wait for the bailout to trickle down to you. Unemployment is going to increase and stay high for some time. Challenging moments are upon us.

My advice in hard times would be the same in good times: find something you love to do and master it, become as good as or better at it than anyone has any reason to be. Look up the people who do it really well right now. Study the masters. A musical instrument, a physical activity, painting, movies, art of all kinds, the writing of poetry or other books, whatever makes you feel better about yourself and contributes to our well being. Try enough things until you are satisfied that your fascination with the subject will lead to mastery. Six or eight hours of focused effort a day should suffice. I think this is reasonable advice, coming from an old man who has squandered most of his life by being interested in too many things to master any of them.

We don’t exist as individuals; we exist as the sum total of our relationships. You’ll need all the friends you can get, so be honest, fair and generous in your dealings with other people. Don’t be afraid to ask for help or take unseemly risks. The future does not belong to the risk aversive.

It will be difficult to get rich in the onrushing hard times, but it will be easy to get poor or poorer. Watch where your money goes. Make sure you get good value for it. Avoid buying things you don’t really need. Add value to your activities by putting forth effort. Expect others to do the same.

Spend time with children and if you have children of your own, take the time to understand the world from their point of view.

Assets are things that have to be used up creating additional assets. Almost without exception, your biggest asset is your time. I could have gotten rich teaching a seminar I created called “Seize the Day,” essentially a series of sensory exercises to stimulate your imagination to take over and live your own life. But I preferred life in a small town and didn’t want to see the inside of every airport and convention center in the country.

Maybe it’s time to skip the addictions, look up old friends, or visit long-lost relatives. Life is a gift of such presurpassing value that we sometimes hardly notice. Learn to appreciate simple things, the taste of water, the odor of flowers, the great way gravity contributes to your ability to walk and run.

Some of the things people love to do and do well don’t pay that much: poetry for example. Nobody really gives much of a fuck anymore if you can understand the world and set it to music. You have to feed yourself, and if a family, contribute to their well-being. You may find yourself bearing an overload of dissonance, earning your daily bread and wishing, as the Colorado poet and painter Joe Lothamer said, “I dream of being a janitor.”

Every changed circumstance contains opportunities, which accrue to the first people to recognize them. Since circumstances are in constant flux, there is a steady stream of opportunities. Learn to spot them and make them your own.

Keep the basics in mind. People will still be buying food even if the rest of the consumer economy blows completely up, as it so richly deserves to. Heal the sick, wake the dead, feed the hungry. Food shelter and clothing. Eat slowly and chew your cud well.

Biographical info on Charles Potts.

Previously in Arthur:

“The Dope From Muskogee” by Charles Potts

Muntader al-Zaidi named Arthur Magazine “Man of the Year” 2008; Charles Potts salutes al-Zaidi with new poem, “Balls Out.”

“A Case of Cheney Paranoia” by Charles Potts

Poem in Arthur No. 5

“Spasm Empire” by Charles Potts

CHARLES POTTS & SUNN 0))) AT ARTHURFEST 2005 – video footage

TONIGHT, March 4, L.A. 8pm: Arthur co-presents "A Night With TVTV" at Cinefamily

(3.03.10) JUST ADDED: Dosa Truck will be at Cinefamily from 6pm-on!

The original guerrilla TV pioneers return! See Lily Tomlin, Bill Murray, Steven Spielberg, Abbie Hoffman and a host of other personalities as the TVTV guys invade the 1975 Academy Awards, the Superbowl, presidential conventions and anywhere else they can bring their radical comedy. Join us for a one night only show of rare footage with the original members in person…

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March 4, 8:00pm

A Night With TVTV
Co-presented by Arthur Magazine
Buy advance tickets here: $12

Before The Daily Show sent their “reporters” out into the world for satirical newscoverage, before Christopher Guest and This is Spinal Tap utilized cinema verité’s natural deadpan to devastating comic effect, and before American Movie and Heavy Metal Parking Lot popularized the comic documentary form—there was TVTV. Radical, hilarious and influential, “Top Value Television” was an ad hoc collective of documentarians whose pioneering use of portable, low-tech video gear allowed them unprecedented behind-the-scenes access to everything from presidential conventions to the Super Bowl.

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Their philosophy,articulated in co-founding member Michael Shamberg’s 1971 manifesto Guerrilla Television (wikipedia, Amazon), was to “demonstrate the potential of decentralized video technology” as a means to break free from the ideological stranglehold broadcast technology had on American culture—forecasting the media free-for-all that’s rapidly becoming our day-to-day lives.

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Tonight, the Cinefamily, Cinema Eye and Arthur Magazine celebrate the TVTV spirit, and the top-notch documentary filmmaking they produced, with a panel discussion/reunion of TVTV members, a video “primer” of past works, and a screening of Lord Of The Universe, an expose of 16-year-old Guru Maharaj Ji and “Millennium ’73,” a three-day national gathering of his followers at the Houston Astrodome.

This evening marks the first time that all principal members of TVTV have been reunited at a retrospective event—do not miss it!

Buy advance tickets here: $12

March 13: "Simultaneous Conjugation of Four Spirits in a Room"—Alan Moore & Stephen O'Malley at Laing Gallery in Newcastle upon Tyne

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Above: The Destruction of Sodom and Gomorrah, John Martin

From the Laing Gallery:

Alan Moore & Stephen O’Malley

Simultaneous Conjugation of Four Spirits in a Room: 2010

13 Mar 4 – 4.30pm

For the opening of ‘The Great British Art Debate: Turner Versus Martin,’ AV Festival 10 brings together two great forces in contemporary culture, the graphic novelist Alan Moore (V for Vendetta, Watchmen), and musician Stephen O’Malley (Sunn O))), KTL, Gravetemple). Alan Moore will write and perform a new text responding to the energy of the two paintings on show: John Martin’s The Destruction of Sodom and Gomorrah and Hannibal Crossing the Alps by JMW Turner. Stephen O’Malley will create a new ambient soundscape, sonically melting in the radiance of the paintings.

ON HECKLING

Filmmaker Adam Curtis writes on his BBC blog:

In 1966 one of the most brilliant American New Wave movie directors—Joseph Strick —made a documentary for the BBC. It was about heckling in the British general election of that year. It is great piece of verite film-making…

In the film you can see both an old Britain and fragments of the new Britain that was emerging side by side in the audiences.

Empire Loyalists shout about the betrayal of Rhodesia and the loss of the last bits of the empire, while in the same audience – towards the end of the film – you can see early examples of British counter-culture. Long hair – but still beatnik, not hippie, fashion – with the slogan “Anarchy – don’t vote, Anarchy don’t vote”…

Read the rest of Curtis’s post and watch the doc here

Dunja Jankovic interviewed by Emily Nilsson

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Emily Nilsson interviews Croatian born comics artist/musician Dunja Jankovic on the Sparkplug Comics blog.  Click here for the full interview.

What are your main influences as an artist?

In a random order: 60’s and 70’s hairstyles, outsider art in every form, Constructivism, ceramics (even though I’m not making it, but I’d love to), street art and art in the woods, trashy you tube videos, photos from socialistic era, Yugo-nostalgia, thrift stores and flea markets, Kosmoplovci, Komikaze, indigenous art, masks, ritual dances, rituals in general, smoking cigarettes, quitting smoking and then starting smoking again, afghan war rugs, Indian rugs and art in general, music, green architecture, black olives, diving, diving, dying…

Excepter on Arthur Radio, Transmission #6

Sunday was a very special day for Arthur Radio. We never thought that co-host Hairy Painter would return to Brooklyn after spending a month building Mardi Gras floats and dancing to “sissy bounce” music in Nola, but he surprised us at the station door — out of breath, suitcase in hand — right when we were about to go on. And we never thought we would be able to cram one sound engineer, one baby, five DJs, half a dozen synthesizers, and all six members of Excepter inside the Newtown Radio studio, but somehow we pulled the whole production off without a hitch. Following the release of their new double album Presidence on Paw Tracks last Tuesday, (“Presidence Day observed”), Excepter graced the Arthur airwaves with a set so on point it caused unnoticed seismic shifts beneath a 24-hour techno-rave in Istanbul. Emilie Friedlander (Visitation Rites) engaged Jon Fell Ryan in a wobbly Q&A, and Ivy Meadows and Hairy Painter piled on layer upon layer of elliptical wax to set the scene…


Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/EXCEPTER-on-Arthur-Radio-2-21-2010.mp3%5D

Download: Excepter on Arthur Radio 2-21-2010

This week’s playlist…
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TEN OUT OF 5: A comprehensive guide to the MC5’s recordings, for the curious, the enthusiast and the hopeless completist (Arthur, 2004)

photo: Leni Sinclair

This guide was originally published in Arthur No. 9 (March 2004) as one of a set of articles on the MC5 in that issue that ran over several pages (see two of the section’s two-page, 22×17-inch spreads above.)

TEN OUT OF 5
A comprehensive guide to the MC5’s recordings, for the curious, the enthusiast and the hopeless completist by Seth “The Seth Man” Wimpfheimer, James Parker and Ian Svenonius

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