A Journey Round My Skull: Two Years and Counting

Tadanori Yokoo, koshimaki-osen, detail

A Journey Round My Skull, one of our favorite blogs covering “forgotten literature” and graphic design, recently turned two. Curator Will Schofield is revisiting selections from one of his archival posts about renown Japanese designer Tadanori Yokoo to mark the occasion, saying “One of the best things about viewing art online for me is the ability to stare at details for as long as I want to, and sometimes to blow up those details.” Click here and go stare as long as you like …

Wednesday Morning Reading: Mother Jones on Fiji bottled water

Some good old fashioned muckracking adventure journalism from the September/October 2009 Issue of Mother Jones: An excerpt from Anna Lenzer’s “Fiji Water: Spin the Bottle”

Illustration: Gina Triplett

“… The bus dropped me off at a deserted intersection, where a weather-beaten sign warning off would-be trespassers in English, Fijian, and Hindi rattled in the tropical wind. Once I reached the plant, the bucolic quiet gave way to the hum of machinery spitting out some 50,000 square bottles (made on the spot with plastic imported from China) per hour. The production process spreads across two factory floors, blowing, filling, capping, labeling, and shrink-wrapping 24 hours a day, five days a week. The company won’t disclose its total sales; Fiji Water’s vice president of corporate communications told me the estimate of 180 million bottles sold in 2006, given in a legal declaration by his boss, was wrong, but declined to provide a more solid number.

From here, the bottles are shipped to the four corners of the globe; the company—which, unlike most of its competitors, offers detailed carbon-footprint estimates on its website—insists that they travel on ships that would be making the trip anyway, and that the Fiji payload only causes them to use 2 percent more fuel. In 2007, Fiji Water announced that it planned to go carbon negative by offsetting 120 percent of emissions via conservation and energy projects starting in 2008. It has also promised to reduce its pre-offset carbon footprint by 25 percent next year and to use 50 percent renewable energy, in part by installing a windmill at the plant.

The offsetting effort has been the centerpiece of Fiji Water’s $5 million “Fiji Green” marketing blitz, which brazenly urges consumers to drink imported water to fight climate change. The Fiji Green website claims that because of the 120-percent carbon offset, buying a big bottle of Fiji Water creates the same carbon reduction as walking five blocks instead of driving. Former Senior VP of Sustainable Growth Thomas Mooney noted in a 2007 Huffington Post blog post that “we’d be happy if anyone chose to drink nothing but Fiji Water as a means to keep the sea levels down.” (Metaphorically speaking, anyway: As the online trade journal ClimateBiz has reported, Fiji is using a “forward crediting” model under which it takes credit now for carbon reductions that will actually happen over a few decades.)

Fiji Water has also vowed to use at least 20 percent less packaging by 2010—which shouldn’t be too difficult, given its bottle’s above-average heft. (See “Territorial Waters.”) The company says the square shape makes Fiji Water more efficient in transport, and, hey, it looks great: Back in 2000, a top official told a trade magazine that “What Fiji Water’s done is go out there with a package that clearly looks like it’s worth more money, and we’ve gotten people to pay more for us.”

Selling long-distance water to green consumers may be a contradiction in terms. But that hasn’t stopped Fiji from positioning its product not just as an indulgence, but as an outright necessity for an elite that can appreciate its purity. As former Fiji Water CEO Doug Carlson once put it, “If you like Velveeta cheese, processed water is okay for you.” (“All waters are not created equal” is another long-standing Fiji Water slogan.) The company has gone aggressively after its main competitor—tap water—by calling it “not a real or viable alternative” that can contain “4,000 contaminants,” unlike Fiji’s “living water.” “You can no longer trust public or private water supplies,” co-owner Lynda Resnick wrote in her book, Rubies in the Orchard. …”

Keep reading at Mother Jones.

Today's Autonomedia Jubilee Saint – WILLIAM BLAKE


August 12 — William Blake
Major English romantic poet, mystic, subversive.

August 12, 2009 HOLIDAYS AND FESTIVALS
Surrey, England: MITCHAM FAIR. A “Charter Mayor” is selected, who
opens the three-day fair with a four-foot key to unlock the joys of the
fair. A great variety of games and amusements.
Scotland: THE GLORIOUS 12TH opens grouse-hunting season.

ALSO ON AUGUST 12 IN HISTORY…
1653 — First police force formed in present U.S., in New Amsterdam.
1812 — Lady Ludd leads English women in riots over bread prices.
1827 — English romantic poet William Blake dies, London, England.
1843 — First Fourierist phalanx founded in U.S.
1896 — Klondike gold rush begins, Yukon Territory, Canada and Alaska.
1955 — German novelist Thomas Mann dies, Kilchberg, Switzerland.
1992 — Anarchist composer and musician John Cage dies, New York

Brother Theodore in GUMS

Also check out TO MY GREAT CHAGRIN, a feature-length film produced and directed by Jeff Sumerel, a most compelling and exhilarating account of the remarkable history and career of a man known as “Brother Theodore”. Theodore’s television appearances spanned from Jack Paar to Johnny Carson to Merv Griffin to David Letterman. His diverse movie experiences joined him with Alfred Hitchcock, Orson Welles, and Tom Hanks.

The Los Angeles Daily News described Theodore as Boris Karloff, Salvadore Dali, and Nijinski all in one.

To convey this unbelievable story, Sumerel and Rhodes have crafted an enthralling visual interpretation by weaving an array of rare audio and film archives in a most creative, poetic manner. In addition, Sumerel interviewed over sixty Theodore admirers, friends, and colleagues, such as Woody Allen, Eric Bogosian, Penn & Teller, Harlan Ellison, and Dick Cavett among others.

Also on Netflix

Also check out To My Great Chagrin
TO MY GREAT CHAGRIN, a feature-length film produced and directed by Jeff Sumerel, has been selected by The Museum of Modern Art in New York City to have its World Premiere at their Opening Night of the 2008 Documentary Series to take place in February.
Sumerel, a Greenville native, along with collaborator Jeter Rhodes, have completed a 3 year journey to create a most compelling and exhilarating account of the remarkable history and career of a man known as “Brother Theodore”. Theodore’s television appearances spanned from Jack Paar to Johnny Carson to Merv Griffin to David Letterman. His diverse movie experiences joined him with Alfred Hitchcock, Orson Welles, and Tom Hanks.
The Los Angeles Daily News described Theodore as Boris Karloff, Salvadore Dali, and Nijinski all in one.
To convey this unbelievable story, Sumerel and Rhodes have crafted an enthralling visual interpretation by weaving an array of rare audio and film archives in a most creative, poetic manner. In addition, Sumerel interviewed over sixty Theodore admirers, friends, and colleagues, such as Woody Allen, Eric Bogosian, Penn & Teller, Harlan Ellison, and Dick Cavett among others.

'44 PRESIDENTS' by MZA & Maria Sputnik

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Forty Four Presidents by MZA & Maria Sputnik. Pre-order now from Garrett County Press.

A brief illustrated history of the U.S. presidency told by the presidents themselves in the style favored by modern social networking web sites, Forty Four Presidents imagines 220 years of presidential succession pancaked into a single moment — documented simultaneously by each commander-in-chief in status updates designed for easy consumption by their Facebook friends. Each status update is accompanied by a jaunty, high-contrast profile picture intended to reflect something of the essential personality (and hotness) of the president.

TONIGHT (Tues, Aug 11): Arthur presents SUNN 0))) in Eagle Rock…

sunno

FYF Fest, Arthur Magazine and the Eagle Rock Music Festival Present

Sunn O))), Eagle Twin and The Accused
Tuesday August 11, 2009
7:00pm
$16.50 Advance // $18.00 At The Door
All Ages

A sunset show with Sunn O))) in the intimate setting of a historic 1914 library.

Please take note that Sunn O))) will hit the stage at 9:00pm sharp.
Limited tickets available.

2225 COLORADO BLVD.
LOS ANGELES CA 90041
323.226.1617

Arthur goes back a way with Sunn 0))). We featured a beautiful photo of them to accompany the editorial in Arthur No. 3 (January 2003). Our second release on the Bastet (now Arthur) label was a Sunn o))) live recording in an edition of 500 entitled “The Libations of Samhain” with a cover by Savage Pencil, specially pressed by the genius W.T. Nelson, released in 2004. Long sold out, it now fetches $100-plus on internet auctions. Here’s the cover:

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Sunn o))) at the September 2005 ArthurFest at Barnsdall in Los Angeles was one of the weekend’s most anticipated sets, and was easily the weekend’s biggest fiasco—as the set was climaxing, with vocalist Xasthur about to emerge from his coffin, the sound cut out. Totally. Not to return. Frustrated Sunn o))) members felled speaker towers, resulting in near-injuries to audience members and minor damage to the stage, which in turn led to near-arrests of Mssrs O’Malley and Anderson by on-location LAPD. Yikes. Plus, their van got towed! It’s funny now, but it was pretty harsh at the time. Here’s the poster by Arik Roper, now sold out, for ArthurFest:

Anyways. The guys ended up on the cover of Arthur No. 20 (below) and now they’re international weirdstars. Go figure. Actually, go see them. Actually, go feel them in Eagle Rock next week. We will be.

"Younger": a new short story by BRIAN EVENSON

Fugue 978-156689-225-4

Arthur freaks may remember Brian Evenson from his cover feature on Sunn 0))) and Earth, published in Arthur No. 20, and his short bit on an imaginary disease in Arthur No. 7. Following is the opening story from Brian’s newest collection of short fiction, Fugue State, published by Coffeehouse Press and available now from Powell’s, Amazon and the best bookstore near you.

Download: “Younger” from Fugue State by Brian Evenson (pdf)

Younger

Years later, she was still calling her sister, trying to understand what exactly had happened. It still made no sense to her, but her sister, older, couldn’t help. Her sister had completely forgotten—or would have if the younger sister wasn’t always reminding her. The younger sister imagined, each time she talked to her sibling on the telephone, each time she brought the incident up, her older sister pressing her palm against her forehead as she waited for her to say what she had to say, so that she, the older sister, the only one of the sisters with a family of her own, could politely sidestep her inquiries and go back to living her life.
     Her older sister had always managed to do that, to nimbly sidestep anything that came her way so as to simply go on with her life. For years, the younger sister had envied this, watching from farther and farther behind as her older sister sashayed past those events that an instant later struck the younger sister head-on and almost destroyed her. The younger sister was always being almost destroyed by events, and then had to spend months desperately piecing herself together enough so that when once again she was struck head-on, she would only be almost destroyed rather than utterly and completely destroyed.
     As her mother had once suggested, the younger sister felt things more intensely than anyone else. At the time, very young, the younger sister had seen this as a mark of emotional superiority, but later she saw it for what it was: a serious defect that kept her from living her life. Indeed, as the younger sister reached first her teens and then her twenties, she came to realize that people who felt things as intensely as she were either institutionalized or dead.
     This realization was at least in part due to her father having belonged to the first category (institutionalized) and her mother to the second (dead by suicide)—two more facts that her older sister, gliding effortlessly and, quite frankly, mercilessly, through life, had also sidestepped. Indeed, while the younger sister was realizing to a more and more horrifying degree how she was inescapably both her mother’s and her father’s child, her older sister had gone on to start a family of her own. It was like her older sister had been part of a different family. The younger sister could never start a family of her own—not because, as everyone claimed, she was irresponsible but because she knew it just brought her one step closer to ending up like her mother and father. It was not that she was irresponsible, but only that she was terrified of ending up mad or dead.

The incident had occurred when their parents were still around, before they were, in the case of the mother, dead and, in the case of the father, mad. There were, it had to be admitted in retrospect, signs that things had gone wrong with their parents, things her older sister must have absorbed and quietly processed over time but which the younger sister was forced to process too late and all at once. The incident, the younger sister felt, was the start of her losing her hold on her life. Even years later, she continued to feel that if only she could understand exactly what had happened, what it all meant, she would see what had gone wrong and could correct it, could, like the older sister, muffle her feelings, begin to feel things less and, in the end, perhaps not feel anything at all. Once she felt nothing, she thought, knowing full well how crazy it sounded, she could go on to have a happy life.
     But her older sister couldn’t understand. To her older sister, what the younger sister referred to as the incident was nothing—less than nothing, really. As always, her older sister listened patiently on the other end of the line as the younger sister posed the same questions over again. “Do you remember the time we were trapped in the house?” she might begin, and there would be a long pause as her older sister (so the younger sister believed) steeled herself to go through it once more.
     “We weren’t trapped exactly,” her older sister almost always responded. “No need to exaggerate.”
     But that was not how the younger sister remembered it. How the younger sister remembered it was that they were trapped. Even the word trapped did not strike her as forceful enough. But her older sister, as always, saw it as her role to calm the younger sister down. The younger sister would make a statement and then her older sister would qualify the statement, dampen it, smooth it over, nullify it. This, the younger sister had to admit, did calm her, did make her feel better momentarily, did made her think, Maybe it isn’t as bad as I remembered. But the long-term effect was not to make her feel calmer but to make her feel insane, as if she were remembering things that hadn’t actually happened. But if they hadn’t happened the way she remembered, why was she still undone more than twenty years later? And as long as her sister was calming her, how was she ever to stop feeling undone?
     No, what she needed was not for her sister to calm her, not for her sister, from the outset, to tell her there was no need to exaggerate. But she could not figure out how to tell her sister this—not because her older sister was unreasonable but because she was all too reasonable. She sorted the world out rationally and in a way that stripped it of all its power. Her older sister could not understand the effect of the incident on the younger sister because she, the older sister, had not let it have an effect on her.
     For instance, her older sister could not even begin to conceive how the younger sister saw the incident as the single most important and most devastating moment of her life. For her older sister, the incident had been nothing. How was it possible, her older sister wanted to know, that the incident had been more damaging for her than their mother’s suicide or their father’s mental collapse? It didn’t make any sense. Well, yes, the younger sister was willing to admit, it didn’t make any sense, and yet she was still ruined by it, still undone. If I can understand exactly what happened, she would always tell her older sister, I’ll understand where I went wrong.
     “But nothing happened,” her older sister said. “Nothing. That’s just it.”
     And that was the whole problem. The sisters had played the same roles for so many years that they didn’t know how to stop. Responding to each other in a different way was impossible. Every conversation had already been mapped out years in advance, at the moment the younger sister was first compelled to think of herself as the irresponsible one and the older sister was first made to be a calming force. They weren’t getting anywhere, which meant that she, the younger sister, wasn’t getting anywhere, was still wondering what, if anything, had happened, and what, if anything, she could do to free herself from it.

What she thought had happened—the way she remembered it when, alone, late at night, she lay in bed after another conversation with her sister—was this: their mother had vanished sometime during the night. Why exactly, the younger sister didn’t know. Their father, she remembered, had seemed harried, had taken their mother somewhere during the night and left her there, but had been waiting for them, seated on the couch, when they woke up. He had neither slept nor bathed; his eyes were very red and he hadn’t shaved. Somehow, she remembered, her sister hadn’t seemed surprised. Whether this was because the sister wasn’t really surprised or because, as the calm one, she was never supposed to appear surprised, the younger sister couldn’t say.
     She remembered the father insisting that nothing was wrong, but insisting almost simultaneously that he must leave right away. There was, the younger sister was certain, something very wrong: what exactly it had been, she was never quite certain. Something with the mother, certainly, perhaps her suicidal juggernaut just being set in motion—though her older sister claimed that no, it must have been something minor, a simple parental dispute that led to their mother going to stay temporarily with her own mother. And the only reason the father had to leave, the older sister insisted, was that he had to get to work. He had a meeting, and so had to leave them alone, even though they were perhaps too young—even the older sister had to admit this—to be left alone.
     Her older sister claimed too that the father had bathed and looked refreshed and was in no way harried. But this, the younger sister was certain, was a lie, was just the older sister’s attempt to calm her. No, the father had looked terrible, was harried and even panicked, the younger sister wasn’t exaggerating, not really. Do you love me? the younger sister sometimes had to say into the phone. Do you love me? she would say. Then stop making me feel crazy, and just listen.
     So there was her father, in her head, simultaneously sleepless and well-rested, clean and sticky with sweat. He had to leave, he had explained to them. He was sorry but he had to leave. But it was all right, he claimed. He set the stove timer to sound when it was time for them to go to school. When they heard the timer go off, he told them, they had to go to school. Did they understand?
     Yes, both girls said, they understood.
     “And one more thing,” the father said, his hand already reaching for the knob. “Under no circumstances are you to answer the door. You are not to open the door to anyone.”

Continue reading

Perseid Meteor Shower Peaks Tomorrow, August 12

Head to the hills and turn your eyes skyward! The heavens will soon be alight with blazing fireballs as debris from the Swift-Tuttle comet continues to disintegrate in the Earth’s atmosphere. The Perseid meteors have been burning out across the sky since mid-July, and according to StarDate online, the bombardment peaks “early afternoon on the 12th, so the morning of the 12th (midnight to dawn) and late evening are the best times to watch from the U.S.” There’s also gonna be a pretty big moon, so that’ll reduce visibility a bit. Though here in Los Angeles the light pollution’s so bad we’ll have to plan a damn road trip to have any chance at seeing these suckers. Or maybe we’ll just sit on the porch and watch the LAPD helicopters hunting through Frogtown with their searchlights, just like any other night.

More information on just what is going on can be found at Discover, StarDate and National Geographic.

Today's Autonomedia Jubilee Saint – VAL PLUMWOOD


August 11 — Val Plumwood
Australian eco-feminist, theorist of radical ecosophy.

August 11, 2009 HOLIDAYS AND FESTIVALS
FESTIVAL OF HAPPY FEET.   RETURN YOURSELF TO THE FOOD CHAIN DAY.

ALSO ON AUGUST 11 IN HISTORY…
1833 — Agnostic iconoclast Robert Ingersoll born, Dresden, New York.
1921 — Malcolm X “auto”-biographer Alex Haley born, Ithaca, New York.
1882 — Anarchist critic of Bolshevism Voline born, Tikhvine, Novgorod, Russia.
1939 — “Radical ecosophist” Val Plumwood born, near Sydney, Australia.
1961 — Berlin Wall completed, escalating Cold War politics.
1965 — Race insurrection in Watts, Los Angeles, California leaves 35 dead.
1997 — Vanguard composer, activist Conlon Nancarrow dies, Mexico City, Mexico.

'POP GUN WAR 2: Chain Letter' by Farel Dalrymple

Whoa sorry about the delay, I originally planned on putting up the last 2 parts of Farel’s POP GUN WAR sequel to coincide with the limited edition comics that he printed up.  But the books sold out almost immediately and I missed my window.  Well you’ve all waited long enough.  Here’s pages 16-19 of Farel Dalrymple’s POP GUN WAR 2.  Come back next Tuesday for the big finale (of the first half anyway).  Previously: 1, 2, 3

pgwchainletter016 Continue reading