ARTHURDESH – Sat Feb 28 8pm SHARP, $8-up, all ages, Bushwick, capacity is 375 so arrive early

arthurdeshscreenprint

The story ch. xiii presents

ARTHURDESH
benefit for arthur magazine, independently curated by michael curtis hilde and produced by todd p.

MV & EE
Peter Stampfel (Holy Modal Rounders) and the Ether Frolic Mob
Dr Ragtime & Pals (Jack Rose Band)
Jana Hunter & TJO
quad (Helen Rush, PG Six, Samara Lubelski, Bob Bannister)
Sharon Van Etten
Mountainhood
Headdress
White Hills

Readings by Louise Landis Levi, Byron Coley and Gary Panter, Wesley Eisold and Max Morton, Angela Jaeger, and Robbie Snyderman

Visuals by Flying Andes

Saturday, February 28, 2009
8pm
$8-30 sliding scale | all ages
Market Hotel
1142 Myrtle Ave
Bushwick, Brooklyn
11221

curator michael curtis hilde .:. readings curator byron coley
.:. production toddpnyc.com .:.

Poster by Arik Roper

Continue reading

ARTHURDESH – Sat Feb 28 2009 8pm SHARP, $8-up, all ages, Bushwick, capacity is 375 so arrive early

arthurdeshscreenprint

The story ch. xiii presents

ARTHURDESH
benefit for arthur magazine, independently curated by michael curtis hilde and produced by todd p.

MV & EE
Peter Stampfel (Holy Modal Rounders) and the Ether Frolic Mob
Dr Ragtime & Pals (Jack Rose Band)
Jana Hunter & TJO
quad (Helen Rush, PG Six, Samara Lubelski, Bob Bannister)
Sharon Van Etten
Mountainhood
Headdress
White Hills

Readings by Louise Landis Levi, Byron Coley and Gary Panter, Wesley Eisold and Max Morton, Angela Jaeger, and Robbie Snyderman

Visuals by Flying Andes

Saturday, February 28, 2009
8pm
$8-30 sliding scale | all ages
Market Hotel
1142 Myrtle Ave
Bushwick, Brooklyn
11221

curator michael curtis hilde .:. readings curator byron coley
.:. production toddpnyc.com .:.

Poster by Arik Roper

Continue reading

“Pre-industrial revolution tactics with food"

We need more of this, everywhere, as soon as possible: artisans making high-quality goods for barter and sale in local economies, and teaching what they know in hands-on workshops.

From The New York Times – February 25, 2009

Brooklyn’s New Culinary Movement
By OLIVER SCHWANER-ALBRIGHT

TO get the slightly battered convection oven for their new Brooklyn chocolate factory, Rick and Michael Mast traded 250 chocolate bars.

The chocolate is as good as legal tender for Andrew Tarlow and Mark Firth, owners of Marlow & Sons, the restaurant and specialty shop that bartered away the oven. “We can’t keep it in stock,” Mr. Tarlow said. “It sells better than anything else.”

About two years ago the Masts were trading truffles for beers at a local bar. Now Mast Brothers Chocolate has a national following as one of the few producers in the country, and the only one in the city, to make chocolate by hand from cacao beans they’ve roasted, in that oven. These days, with a kitchen and a bit of ambition, you can start to make a name for yourself in Brooklyn. The borough has become an incubator for a culinary-minded generation whose idea of fun is learning how to make something delicious and finding a way to sell it.
Continue reading

Philip José Farmer, 1918-2009

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Science fiction pioneer Philip José Farmer died today. Farmer was the man who introduced sex to sf with his first published story, ‘The Lovers’, in 1953. Decades before The League of Extraordinary Gentlemen there was the Wold Newton Universe. Hugely prolific, he was one of the few authors capable of writing Edgar Rice Burroughs’ Tarzan in the style of William Burroughs (‘Jungle Rot Kid on the Nod’). Audacity and intelligence are always in short supply; he’ll be missed.

Ottoman Empirical Evidence: the Beginning of Recording in the Years of Decline

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hedjaztaxim



From Ian Nagoski:

From the beginning of the 14th century through the following five hundred years, the Ottoman Empire spread from Anatolia north through the Balkans, east through Persia, south through Arabia and west across nearly the entire North Coast of Africa, expanding across just slightly less land than the Roman Empire at its peak. After collapsing slowly through the 19th century and early 20th century, the Treaty of Lausanne in 1923 dissolved the last of the Empire and formalized the successor state of Turkey. The cultural and political fallout of five centuries of Turkish administrative and cultural domination over the Eastern Mediterranean lands will continue through generations still to come.

Coincident with the waning years of the Ottoman Empire was the birth of the sound recording industry, and thousands of recordings were made of the music of the Turks and the ethnic minorities that they governed within the Ottoman territories. Two juicy websites offer substantial collections of the sounds of the musical art of the Turks and Arabs before the radical cultural shifts of the early and mid-20th century (and two decades before the invention of the microphone!), all gratis.

Twenty-two stunning recordings made in Constantinople and Cairo ca. 1906-07 are available for download here:
Archeophone.org Collection of Turkish and Arabic Zonophone Discs
And twenty-one cylinder recordings made ca. 1900 (!) of Turkish and Arabic music are available here:
University of California, Santa Barbara Collection of Middle-Eastern Cyliders

To top it all off, there is plenty of the great master Cemil Bey to be had on the internet, but this flabbergasting fiddle performance from the 10s on YouTube is absolutely not to be missed. (I have no explaination for the groaning, atonal, gestural passages which bear stunning resemblance to “radical” developments in mid- and late-20th century jazz and Western classical music, although I’d be grateful for any information on this piece that anyone can offer.)
Tanburi Cemil Bey – Janik Nini

America's War Against Leaves losing support

Nate Silver at FiveThirtyEight crunches the polling figures:

We all know that Michael Phelps was on something. But perhaps he was also onto something. Three recent polls show that Americans are more sympathetic to the idea of legalizing marijuana than ever before.

The first poll, conducted last week by Rasmussen Reports, has 40 percent of Americans in support of legalizing the drug and 46 percent opposed. The second, conducted in January by CBS News, has 41 percent in favor of legalization and 52 percent against. And a third poll, conducted by Zogby on behalf of the marijuana-rights advocacy group NORML, has 44 percent of Americans in support of legalized pot and 52 percent opposed.

That all three polls show support for legalization passing through the 40 percent barrier may be significant. I compiled a database of every past poll I could find on this subject, including a series of Gallup polls and results from the General Social Survey, and could never before find more than 36 percent of the population (Gallup in October, 2005) stating a position in favor of legalization. (More.)

And speaking of Michael Phelps, how’s this for a business headline? Dumping Phelps Over Bong Rip Damages Kellogg’s Brand Reputation.

Out of the 5,600 company reputations Vanno monitors, Kellogg ranked ninth before it booted Phelps. Now it’s ranked 83. Not even an industry-wide peanut scare inflicted as much damage on the food company’s reputation. (More.)

The Hovering Glass Angel of Susan Alcorn's Guitar

I guess that it’s pretty well known by now that Baltimore has a lot of good zonked rock and experimental music happening. Arthur’s pages have, in the past couple years, sung the praises of Celebration, Dan Higgs, Beach House, Dan Deacon & Jimmy Joe Roche, Teeth Mountain, Wzt Hearts and Trockeneis, and there are Needle Gun, the Lexie Mountain Boys, Jana Hunter, Lo Moda, Jason Willett, Arboretum, Zomes, Nautical Almanac, DJ Dogdick, , Sejayno, Bonnie Jones, Dan Conrad, the Wham City , MT6 and High Zero crews and much more. Not bad for a crumbling, podunk backwater best known as a case study in the doomed drug war.

But in the unlikely event that anyone ever holds a gun to my head and demands to know, “who is your favorite musician in the city?” I’ve got my answer all ready: Susan Alcorn.

Alcorn is a Texas native who plays the pedal steel guitar. The journey from playing country and bluegrass and straight jazz to her mature style has aided by advice from Muddy Waters and Paul Bley. The wide-open ears, keen intellect, emotional sensitivity and rigorously-honed skill as a player that she has developed has brought her into collaborations with Pauline Oliveros, Peter Kowald, Eugene Chadbourne and Jandek among many others. But it’s her solo work as a composer, improviser and interpreter of songs, which are more aching sequences and clusters of crystaline sounds than tunes, that always blows me away.

With clarity and precision and a gift for invoking sweeping landscapes, Alcorn is able to perform arrangements of Curtis Mayfield or Olivier Messiaen highlighting both their structural and spiritual aspects simultaneously and then attacking the strings zen-slap-loud or hovering stained-glass mobiles of sound-clouds. Dreamy stuff, full of emotion and one of the more Universalist twists on Americana.

The way to introduce yourself to her work is to see her live and solo, if possible, or to track down a copy of her utterly superlative LP And I Await the Resurrection of the Pedal Steel Guitar, released by Olde English Spelling Bee a couple years ago (or, if you can, her Curandera CDR). But until she and her work are more readily available to more households, this short group of video excerpts from a solo concert in Baltimore earlier this month where she presented a musical autobiography will act as a sampler of her sound palate, if not the emotional arc, of her performances.

Susan Alcorn at the Los Solos series, Baltimore

Social Collapse Best Practices – Feb 13, 2009 lecture by DMITRI ORLOV at the Long Now Foundation

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You should have read this lecture already. But if you haven’t, click here to get the whole thing.

Stewart Brand (Whole Earth Catalog, The Well, The Long Now Foundation) does a synopsis at the Long Now blog:

With vintage Russian black humor, Orlov described the social collapse he witnessed in Russia in the 1990s and spelled out its practical lessons for the American social collapse he sees as inevitable. The American economy in the 1990s described itself as “Goldilocks”—just the right size—when in fact is was “Tinkerbelle,” and one day the clapping stops. As in Russia, the US made itself vulnerable to the decline of crude oil, a trade deficit, military over-reach, and financial over-reach.

Russians were able to muddle through the collapse by finding ways to manage 1) food, 2) shelter, 3) transportation, and 4) security.

Russian agriculture had long been ruined by collectivization, so people had developed personal kitchen gardens, accessible by public transit. The state felt a time-honored obligation to provide bread, and no one starved. (Orlov noted that women in Russia handled collapse pragmatically, putting on their garden gloves, whereas middle-aged men dissolved into lonely drunks.) Americans are good at gardening and could shift easily to raising their own food, perhaps adopting the Cuban practice of gardens in parking lots and on roofs and balconies.

As for shelter, Russians live in apartments from which they cannot be evicted. The buildings are heat-efficient, and the communities are close enough to protect themselves from the increase in crime. Americans, Orlov said, have yet to realize there is no lower limit to real estate value, nor that suburban homes are expensive to maintain and get to. He predicts flight, not to remote log cabins, but to dense urban living. Office buildings, he suggests, can easily be converted to apartments, and college campuses could make instant communities, with all that grass turned into pasture or gardens. There are already plenty of empty buildings in America; the cheapest way to get one is to offer to caretake it.

The rule with transportation, he said, is not to strand people in nonsurvivable places. Fuel will be expensive and hoarded. He noted that the most efficient of all vehicles is an old pickup fully loaded with people, driving slowly. He suggested that freight trains be required to provide a few empty boxcars for hoboes. Donkeys, he advised, provide reliable transport, and they dine as comfortably on the Wall Street Journal as they did on Pravda.

Security has to take into account that prisons will be emptied (by stages, preferably), overseas troops will be repatriated and released, and cops will go corrupt. You will have a surplus of mentally unstable people skilled with weapons. There will be crime waves and mafias, but you can rent a policeman, hire a soldier. Security becomes a matter of local collaboration. When the formal legal structure breaks down, adaptive improvisation can be pretty efficient.

By way of readiness, Orlov urges all to prepare for life without a job, with near-zero burn rate. It takes practice to learn how to be poor well. Those who are already poor have an advantage.

courtesy David Hollander!

DAILY MAGPIE – February 26th at THE SMELL (L.A.)

Need a break from the physical world? Come to The Smell and let yourself dissolve into the soft, murky synths and sound effects of Silk Flowers (featuring ex-members of Soiled Mattress and The Springs). Relax on a cloud of dream-like meanderings from City Center and Former Ghosts. If you find yourself drifting away, Tik Tik is there to jolt you awake.

Date & Time: Thursday, February 26th – 9PM
Venue: THE SMELL (L.A.)
Location: 247 S. Main Street / Los Angeles, CA 90012 (For driving directions, go here)
Price: $5