NOW: ARTHUR NO. 34

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ARTHUR NO. 34 / APRIL 2013

Oversized broadsheet newspaper
24 15″ x 22.75″ pages (16 color, 8 b/w)
$5

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Now with 50% more pages, Arthur continues its comeback in the bold new broadsheet newspaper format that’s turning heads and drawing critical acclaim.

In this issue…

After 20-plus years navigating strange, inspiring trips across myriad underground psychedelic terrains with a host of fellow free folk, righteous musician/head MATT VALENTINE (MV & EE, Tower Recordings, etc) finally spills all possible beans in an unprecedented, career-summarizing, ridiculously footnoted epic interview by BYRON COLEY. Plus: Deep archival photo finds from the MV vaults, a sidebar wander through some important MV listening experiences with your guide Dan Ireton, and a gorgeous cover painting by ARIK ROPER of MV & EE at peace in the cosmic wild. Delicious!

Orange County, California psych rockers FEEDING PEOPLE left the church, entered the void, lost band members and returned to our reality to sing their tale in glorious reverb. Chris Ziegler investigates, with photography by Ward Robinson…

Everyone needs someone to love, and AROMATIC APHRODISIACS are here to help that lovin’ along (sans wack pharma side effects). From truffles to borrachero, author-scholars CHRISTIAN RATSCH and CLAUDIA MULLER-EBELING get in on the action. Illustrations by Kira Mardikes…

Gabe Soria chats with novelist AUSTIN GROSSMAN (Soon I Will Be Invincible) about the basic weirdness of playing (and making) VIDEO GAMES, with art by Ron Rege, Jr….

All-new full-color comics by Lale Westvind, Will Sweeney, Vanessa Davis and Jonny Negron…

Is there a way to examine the nature of existence at its very foundation? Esoteric mapmaker DAVID CHAIM SMITH says yes—but there’s a price. Interview by Jay Babcock…

Stewart Voegtlin on what (or: who) made MELVINS’ 1992 beercrusher Lysol the most unlikely religious record ever built, with art by Stewart’s Chips N Beer mag compatriot Beaver…

“Weedeater” Nance Klehm on BETTER HOME BREWING…

The Center for Tactical Magic on ANARCHO-OCCULTISM…

PLUS! Byron Coley and Thurston Moore’s essential underground review column, Bull Tongue, now expanded to two giant pages. Covered in this issue: New York Art Quartet, Don Cauble, Douglas Blazek, Rick Myers, Desmadrados, Century Plants, Richard Aldrich, Robbie Basho, Steffen Basho-Junghans, Bed Wettin’ Bad Boys, Michael Zacchilli, Pat Murano, Tom Carter, Les Conversions, Hobo Sunn, Decimus, Saifyya, Jeff Keen, Inspector 22, Yves/Son/Ace, Pink Priest, Smegma, Nouvelle Impressions D’Afrique, K. Johnson Bair, Major Stars, Endless Boogie, David Novick, Joe Carducci, Scam, Erick Lyle, Phantom Horse, Failing Lights, Tomuntonttu, The Lost Domain, George Laughead jr., Xochi, Sublime Frequencies, Barbara Rubin, Red Rippers, Linda King, Cuntz, My Cat Is An Alien, Bird Build Nests Underground, Pestrepeller, Painting Petals on Planet Ghost, Peter Stampfel, Joshua Burkett, Michael Chapman, L’Oie de Cravan Press, Genvieve Desrosiers, The Residents, Dawn McCarthy, Bonnie Prince Billy, Ensemble Pearl, Azita, Woo, Galactic Zoo Dossier, Mad Music INc., White Limo, Excusamwa, Little Black Egg, Dump, Jarrett Kobek, Felix Kubin, The Army, Bruce Russell, and Gate…

And more stuff too hot to divulge online!

Please keep in mind… Arthur is no longer distributed for free anywhere. Those days are (sadly) long gone. Now you gotta buy Arthur or you won’t see it. Our price: Five bucks—not so bad!

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MORE SMOKE THAN FOLK: A guide to important Matt Valentine listening experiences through 2012, by Dan Ireton and Byron Coley (Arthur, 2013)

A few important MATT “MV” VALENTINE listening experiences through 2012, assembled by Dan Ireton & Byron Coley and presented in chronological order. Links are to best current (2016) retail or wholesale source for the goods. This article originally published in Arthur No. 34 (2013) as a sidebar to Byron’s interview with Matt.

TOWER RECORDINGS Furniture Music for Evening Shuttles (Siltbreeze SB54 CD + LP, 1998)
Technically, the fourth Tower album, but the one where they really come together into a great stew of kosmische gushery. Someone told me if I liked German stuff I should listen to this. He was right.

TOWER RECORDINGS The Folk Scene (Shrat one-sided 12”, 2000; Communion CD, 2001)
You want the expanded CD reissue version, which is much longer. The vibe here mirrors the best work of those German and Scandinavian commune bands we all loved so much.

TOWER RECORDINGS The Futuristic Folk of Tower Recordings Vol. One & Two (COM CDR, 2002; Time-Lag 2LP, 2004)
Available as CDRs, individual LPs and a double LP (all of ’em limited and fine) this is the record where Tower seems to start really hearing the lessons of Sun Ra’s Arkestra and the AACM. Weird, pointedly obscure and deep.

MATT VALENTINE Space Chanteys (Fringes LP, 2002)
This early solo side, released by an Italian jazz label, has always felt like MV’s version of Astral Weeks (not that you’d confuse his voice with Van Morrison’s). You can hear the door closing on Matt’s New York period. The lyrics are super-personal and the musical arrangements are loose and flowing.

MATT VALENTINE Ragantula (COM 4, 2002; reissued in the COM-Relics series)
My favorite version has a small piece of printed cloth inserted, but that’s extremely rare, so let’s not mention it. This one is thematically linked to Matt’s transition to country life.The lyrics related to the move, and the music has a very rural vibe (even though some was recorded in NYC).

MATT VALENTINE Creek to Creation (QBICO LP, 2004)
The first completely overt hick move. Recorded in Vermont and sounding it. Every inch.

DREDD FOOLE Kissing the Contemporary Bliss (COM 2CDR, 2004; Family Vineyard 2CD, 2008)
Although credited just to Dredd, this is equally Matt’s album. The pair push against the envelope of how free “free folk” could ever get. This also marks the beginning of the Spectra Sound experiments, and sounds a big as the whole outdoors.

MATT VALENTINE & ERIKA ELDER Ragas & Blues — Fantastic String Music (Idea LP, 2004)
I particularly like this version because a few copies came with a screenprinted outer sleeve, which looks pretty great. And the music is an important transition, since this is where country blues starts to seep more obviously into the picture.

MV/EE WITH THE BUMMER ROAD Mother of Thousands (Time-Lag 2LP, 2006)
This marks the beginning of Matt’s heavy electric guitar period. An amazing sprawl of an album and spaced as fuck.

MV & EE WITH THE BUMMER ROAD Green Blues (Ecstatic Peace CD, 2006)
Some people love the way this connects the vocals of Skip James with the guitar of Neil Young, others think it’s just TOO MUCH. Regardless, this one is the first real rock-qua-rock record.

MV & EE WITH THE GOLDEN ROAD April FlowerTour (COM 8-CDR set, 2011)
Great document of some live dates (mostly from April, 2011) representing their annual Spring Fling with UK guitarist Mick Flower. There’s a heavy ruralist rock vibe to most of the action with bursts of lightning purity. More smoke than folk.

MV & EE Country Stash (Three Lobed LP, 2011)
When this one came out, I just said, “Wow.” It was the first album that really seemed to properly reconcile all of the threads Matt has chased. A favorite.

MV & EE Space Homestead (Woodsist LP, 2012)
Then this one came out, and it was even more holistic. Amazing.