August 13-15: Harvest Records Presents Transfigurations Festival in Asheville, NC

If you have never scoped out the subtropical vistas of the Blue Ridge Mountains, August promises to be a sublime time to do so–and not only because its high altitudes provide natural relief against the summer heat. Asheville’s Harvest Records–part independent record shop, part record label, part curatorial team– will mark its fifth birthday with a three-day, multi-venue musical gathering, bringing in over a dozen artists from across the nation to celebrate the organization’s dual commitment to musical awareness and community-building in Western North Carolina. “Transfigurations,” co-owner Mark Capon explains, “brings together the spirits of the musicians that we have brought to this city, the artists who have displayed on our walls, the sounds people have found in our shop, and the togetherness that we have attempted to breathe into the community…hour by hour, day by day.” Featured acts include Akron/Family, Bonnie Prince Billy, The Books, Budos Band, Circulatory System, Mount Eerie, Espers, War on Drugs, Brightblack Morning Light, Kurt Vile, Ice Cream, Jonathan Kane, Coathangers, Villages, and Steve Gunn, along with a Saturday-afternoon panel discussion on musical documentation in the digital age by Eric Isaacson (Mississippi Records), Lance Ledbetter (Dust-to-Digital label), and Nathan Salsburg (Twos & Fews Records/Alan Lomax Archive).

Transfigurations 2009, August 13-15
The Grey Eagle, Diana Wortham Theatre, & Fine Arts Theatre
Asheville, NC
Festival Schedule

“Blank in the Fill”: Dave Reeves on fluoride and suicide in North Carolina (Arthur, 2007)

“Do the Math” column originally published in Arthur No. 26

BLANK IN THE FILL by David Crosby Reeves

“For those who stubbornly seek freedom, there can be no more urgent task than to come to understand the mechanisms and practices of indoctrination.” —Chomsky

In the days of President Carter, a fluoride program went through the public schools called ‘Swish and Spit.’ First grade students were given permission slips and told to bring them back with a parent’s signature. I was a good kid then, eager to prove myself. I took my permission slip to my mother. She put it aside and didn’t sign it.

The day the ‘Swish and Spit’ program was implemented, Ms. Goldie brought out a bottle of red fluid and told everyone, ‘This is fluoride, and it tastes good.’ It looked like cherry Kool-Aid. I never got to taste it because I didn’t have my permission slip.

I was left alone while the other kids went to the sink and did the Kool-Aid. ‘Swish and Spit’ was just that. Everybody came back with red tongues like they had eaten a Slushy.

Ms. Goldie came to me, wanting to know where my slip was. I had a sense that this was one of the first tests of this new thing called School, and I was eager to be good. I wanted to drink the Kool-Aid to commune with the other kids, the kool kids, and become one with the institution.

So when I get home I told Ma, ‘I got to get this thing signed!’ ‘What is it for?’ she wanted to know. I explained that the ‘Swish and Spit’ was good for me, harmless, and probably cherry Kool-Aid.

‘What did I tell you about people coming to you with candy?’ my mom asked me. She went on about how the product was manufactured to look like candy so that I would want it, but we didn’t know what was in it.

My argument was, Sure we know what’s in it: fluoride. It makes strong teeth. But Ma wasn’t signing it because she said the government should not be giving you anything, nor should you trust them to give you anything. It sets a bad precedent. And why would a government that cares so little about your health that I can’t afford health care suddenly care so much about your teeth?

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