Arthur Magazine proudly presents PARADISE NOW: The Living Theatre in Amerika, a DVD/36-page booklet/double-sided poster featuring rare, never-before-distributed films from The Living Theatre‘s historic and influential ’68-’69 American tour.
Here is the trailer preview teaser, which may not be safe for work but is Totally Safe For Life:
In 1968 the The Living Theatre, an anarchist collective theater troupe led by Julian Beck and Judith Malina, triumphantly returned to America from years of self-imposed exile in Europe. Their new production, which has already taken Europe by storm, was Paradise Now, an intense, challenging distillation and enactment of every principle that the Living Theatre held dear.
“Life, revolution and theater are three words for the same thing: an unconditional NO to the present society,” said Julian Beck. The staging of Paradise Now—a series of provocative scenarios involving group nudity, ideological declamations and the like—attempted to dissolve the boundaries of human interactions, forging a new harmony between the actors and audience. Of this process, Beck wrote:
“Collective creation is the secret weapon of the people… This play is a voyage from the many to the one and from the one to the many. It’s a spiritual voyage and a political voyage, a voyage for the actors and the spectators. The play is a vertical ascent toward permanent revolution, leading to revolutionary action here and now. The revolution of which the play speaks is the beautiful, non-violent, anarchist revolution. The purpose of the play is to lead to a state of being in which non-violent revolutionary action is possible.”
The result of this shared voyage was the visionary, flamboyant creation of a temporary anarchist collective—free from the enslavements of war, violence, the State, money and the self. Audiences and critics were alternately enraptured and repulsed, radicalized and shocked. Was this the end of theater? Or the beginning of something else? Whatever it was, it was unforgettable, and it rippled into the increasingly volatile culture of the time via the subsequent work of people like the Doors’ Jim Morrison, who famously followed the Living Theatre’s “Paradise Now” around California and helped fund their work.
Director Marty Topp’s film of “Paradise Now,” produced by Ira Cohen, featuring music by the MC5, the Sun Ra Arkestra, Apache Indians and others, is an intense, unforgettable 40-minute film that documents what happened when the Living Theatre staged Paradise Now in America. We have packaged it with “Emergency!”, director Gwen Brown’s excellent but little-seen 30-minute 1968 documentary on the Living Theatre; a double-sided poster; an elaborate 36-page booklet of Living Theatre archival materials; exclusive video interviews with Living Theatre members Judith Malina, Julian Beck and Hanon Raznikov; the complete Paradise Now! script; and much more.
Arthur, together with the DVD’s producer Universal Mutant, is making Paradise Now available to all at the lowest price we can afford: $29.95 in the USA, and its equivalent for overseas customers. We printed an edition of 1000. To order via PayPal, click here to go to the Arthur Store.
Fringe-minded Arthur fest enlivens Broadway with a focus on folk.
By Richard Cromelin
Times Staff Writer
October 21, 2006
“I’d like to thank the cockroach who joined me for that one,” Greg Weeks said Thursday after his band Espers finished a song during the opening concert of the Arthur Nights festival. Weeks had been visited by the insect as he crouched on the stage floor with his electronic keyboard, adding some spacey trills to a folk ballad by the Philadelphia-based group.
Such are the perils of commandeering a faded downtown movie and vaudeville emporium on short notice. But despite this and other small drawbacks, the Palace Theatre on South Broadway proved to be a harmoniously funky setting for the most ambitious yet of Arthur magazine’s extravaganzas of esoterica.
Of the nearly 50 performers scheduled to play over four days through Sunday, only Devendra Banhart, who brought Thursday’s show to a joyous peak, and the Fiery Furnaces, on deck to play Sunday, have what would be considered substantial drawing power beyond the cult level.
So it’s remarkable that in the city where England’s similarly designed All Tomorrow’s Parties failed to establish an outpost after a couple of tries, Arthur has now mounted three significant showcases of fringe music in little more than a year.
Jarring juxtaposition is usually the operating principle, and it’s in force over much of the weekend, but the heart of Thursday’s concert amounted to a themed program spotlighting various facets of the underground folk movement.
Los Angeles-based Banhart is the standard-bearer for this thriving scene, but his hour-plus performance Thursday took him far beyond the acoustic roots and the image of the eccentric sprite that won his initial following.
His set progressed from light, lilting shuffles buoyed by four- and five-voice harmonies by his band members through classic folk-rock (David Crosby’s “Traction in the Rain,” Bob Dylan’s “You Ain’t Goin’ Nowhere”) to some hard-driving, rhythm-heavy versions of favorites from the Banhart songbook.
At the end, with the crowd finally on its feet, the strikingly dark-suited, dark-bearded singer was shaking maracas à la Jagger on “I Feel Like a Child,” and looking like a rock-star-to-be.
But the most Arthurian moment came earlier in the set, when Scottish folk-music icon Bert Jansch joined Banhart and his band for two songs.
Though it was a bit of a no-brainer (Banhart sang on Jansch’s new album, “The Black Swan,” and his guitarist Noah Georgeson produced the record), it was the kind of special mix you hope for at a festival such as this.
And the pairing conveyed a sweet sense of community and continuity as the generations met for “My Pocket’s Empty,” from the new album, and a song from Jansch’s influential ’60s-’70s folk-rock band Pentangle.
Jansch, who has been hailed as a hero by an army of rock guitarists, preceded Banhart with the kind of solo performance he’s been doing for decades. But he usually plays tiny rooms such as McCabe’s on his infrequent visits to the area, so this larger setting was a welcome showcase for his restrained virtuosity and modest personality.
Always aiming for harmonic invention and emotional statement rather than empty flashiness, Jansch, 62, moved from traditional folk songs to blues to originals, adding some political weight with “Let Me Sing,” about Chilean martyr Victor Jara, and “The Old Triangle,” about capital punishment in Ireland.
Espers are inheritors of Jansch’s pioneering work, and the sextet preceded him with a chamber-folk performance whose female vocals suggested both Pentangle and the Incredible String Band.
And what about the famous Arthur eclecticism? Well, drag performer Jackie Beat followed Banhart with a short set, and the main showroom opened with the heavy, power-trio riffing of Cincinnati’s Buffalo Killers.
Arthur Nights was originally planned for the Echo and its new sister club the EchoPlex, but when the latter encountered construction delays, it was moved to the 1,050-capacity Palace, which was colorfully thronged Thursday by a coalition of scenemakers and serious-music geeks.
They discovered that the theater’s second stage is on the fifth floor, requiring a ride in an antique elevator or a walk up many steps.
But the room, with its art-space feel, large windows and bean-bag chairs, was a perfect setting to bask in the experiments of such noise manipulators as Axolotl and Grouper.
And things figure to get much more eclectic these final two days, with Beastie Boys associate Money Mark and the Sun Ra Arkestra sharing the bill tonight with folkies White Magic and Six Organs of Admittance. Sunday’s highlight looks to be the rare solo performance by Kyp Malone of TV on the Radio.
Just watch your step.
Poster by Maya Hayuk.
(Late booking, not on poster: KYP MALONE (TV on the Radio) solo set)
INS & OUTS ALL NIGHT * ALSO CHECK OUT CLIFTON’S CAFETERIA FOR AFFORDABLE AMERICAN FOOD FARE AND A DECOR THAT WILL GIVE YOU A CONTACT HIGH — OPEN ONLY TIL 9PM *
GOOD AFFORDABLE FOOD TOO, RECORDS AND BEAUTIFUL HANDMADE CLOTHES PLUS MORE ON THE FOURTH FLOOR
THURSDAY, OCT. 19, 2006 [stage/schedule is lost, sorry!]
a special performance to close the current cycle
first US visit in 8 years from the ex-Pentangle musician–a guitar hero to Neil Young, Jimmy Page, Johnny Marr and countless others–his new album just got 5 stars from Mojo magazine
gorgeous psychedelic folk-rock from Philly co-ed ensemble
singing spirit guide to Silver Lake scene queens
ambient post-My Bloody Valentine fog-throb duo from New Orleans, spotlit in Arthur 23
lumbering, melodic rock ‘n’ roll from Cincinnati bros featuring former members of Thee Shams
psychedelic Bay Area agitnoise peacegrunt duo
Bay Area neo-ambient noiselady — ‘some of the most ethereal and powerfully heavy-lidden sounds this side of Brian Eno and Arvo Part’ says Mojo
San Francisco drone/noisefella
DJ sets by Dublab rats, Brian Turner (WFMU) and The Numero Group
FRIDAY, OCT. 20
7:20 MAIN HALL
awesome garage-mantra rock in a Stooges/Spacemen 3 ancestor worship mode
7:30 FIFTH FLOOR
Berkeley-based fingerpicking acoustic guitarist in the great John Fahey-Robbie Basho tradition, part of the Imaginational Anthem tour
8:05 MAIN HALL
He was a prime mover in Pussy Galore and Royal Trux… a brilliant solo career and now his latest project, The Howling Hex… guitarist/genius Neil Hagerty in harmolodic prog-jazz-rock-whatsit flight
8:15 FIFTH FLOOR
Texan matriarch of the current avant-folk-psych scene, and member of Charlambides, in solo guitar and voice set, part of the Imaginational Anthem tour
8:55 MAIN HALL
walloping Ohio rock trio led by wailer/guitarist Erika Wennerstrom–second album just out on Fat Possum
9:05 FIFTH FLOOR
features ex-Starvations members; “Cockroach’s larvae stage of death doo-wop”
9:45 FIFTH FLOOR
mellowside trio on Thurston Moore’s Ecstatic Peace record label
9:55 MAIN HALL
BE YOUR OWN PET
Nashville teenage action-punk quartet led by firecracker vocalist Jemina Pearl
10:30 FIFTH FLOOR
“Soporific, glazed” (sez ‘The Wire’) Texas psych, part of the Imaginational Anthem tour
10:50 MAIN HALL
TAV FALCO & THE UNAPPROACHABLE PANTHER BURNS
Charlie Feathers, Alex Chilton, Rural Burnside and more…The truly legendary ‘Dorian Gray of Rock ‘n’ Roll’ from Memphis–admired by rock n roll luminaries like Spiritualized’s Jason Pierce, The Cramps and The Black Keys–in his first L.A. appearance in a decade!
11:15 FIFTH FLOOR
beyond-rare L.A. perf by co-ed twin-guitar psych/dream duo on the brilliant Kranky label
12midnight MAIN HALL
Japanese doom/rock/blissout superpower trio in performance ahead of the Halloween release of their devastating new album-length collaboration with dronekings Sunn0)))
Saturday October 21
4:00-on FOURTH FLOOR
SCHOOLHOUSE DROP-INS: “Visit the geodesic tent as the 9 Sundown Schoolhouse residents present projects to partake in, forums for engagement, acts of interaction, thoughts for collective inquiry and general happenings.”
4:20 MAIN HALL
Stomping West Coast high-energy rock attack unit who blew us away at loast year’s ArthurFest.
5:10 MAIN HALL
galactic dance-dub heroism from local ensemble
5:30 FIFTH FLOOR
mercurial, provocative, prolific folk-rock dude in a solo turn
6:10 MAIN HALL
righteous word jazz elders
6:25 FIFTH FLOOR
noize proj from Comets on Fire’s echoplexist/drummer Noel Von Harmonson and guitarist Ben Chasny
7:10 MAIN HALL
always imaginative keyboardist/music man–best known for co-writing work with Beastie Boys
7:10 FIFTH FLOOR
MIA DOI TODD
L.A. singer/instrumentalist on guitar, vocals and harmonium
8:05 FIFTH FLOOR
Folk singer-songwriter, a real child of the ‘60s canyon scene, introduced at Big Sur Folk Festival in 1967 by Joni Mitchell –She wrote “Windy” and so much more–now returning to live performance at age 62!–she lived the ’60s and she remembers it
8:10 MAIN HALL
SIX ORGANS OF ADMITTANCE
apocalyptic free-mind guitar & voice from Ben Chasny
8:55 FIFTH FLOOR
MICHAEL HURLEY & JOSEPHINE FOSTER
Hurley is a legendary mellow bard with a hint of wry
Josephine – you gotta hear this woman sing! “She’s a genius” – Joanna Newsom
9:10 MAIN HALL
long-awaited return of Mira Bilotte’s NYC-based unclassifiable folk band, new album out next month; this perf will feature Dirty Three drummer Jim White!
10:10 MAIN HALL
return of Bay Area metal trance/mind expander duo who laid peacewaste at this spring’s ArthurBall
11:00 FIFTH FLOOR
11:20 MAIN HALL
SUN RA ARKESTRA
11-piece Arkestra still going deep, now led by the great Marshall Allen
~12:30am MAIN HALL
NUMERO GROUP DANCE PARTY
“Misplaced soul/funk hits” dance party DJed by the 20th-century pop archaelogists of THE NUMERO GROUP label from Chicago… They’ll be spinning throughout the day, with special sets before and following the Sun Ra Arkestra….
Sunday, Oct 22
4:40pm in the Main Hall
John Szymanski, David Shettler and Marty Morris –rawk n roll from Deeetroit on the Alive label
5:30pm on the Fifth Floor
local cosmic California country rock
5:30pm in the Main Hall
THE NICE BOYS
grade-AAA glam rock from Birdman recording artists
6:15pm on the Fifth Floor
THE COLOSSAL YES
Comets on Fire’s Utrillo’s brilliant piano pop proj
6:20pm in the Main Hall
THE SHARP EASE
Paloma Parfrey-led liberation rockers featured in current issue of Arthur
7:05pm on the Fifth Floor
CHUCK DUKOWSKI SEXTET
L.A.’s own… featuring Ms. Lora Norton – Vocals, Mr. Chuck Dukowski – Bass (Black Flag), Mr. Lynn Johnston on Horns, Mr. Milo Gonzalez – Guitar, Mr. Tony Tornay – Drums (Fatso Jetson)
7:10pm in the Main Hall
ARCHIE BRONSON OUTFIT
sharply shaped rock music from new English four-piece
7:55pm on the Fifth Floor
all-female experimental/noise combo
8:05pm in the Main Hall
extremely rare solo set from the TV on the Radio singer-guitarist–he’s flying in from the Darfur benefit show in Philadelphia
8:55pm on the Fifth Floor
solo electric guitar hotwork set from prog-metal-avant maestro Mick Barr
9:15pm in the Main Hall
THE FIERY FURNACES
justly acclaimed thrill-a-minute brother-and-sister-led clever combo, gifted with pop sense, improvisational chops and conceptual ambition
10:45pm in the Main Hall
COMETS ON FIRE
Quite possibly Earth’s greatest living rock ‘n’ roll band–see present issue of Arthur for more details
DJ sets by Dublab rats and Brian Turner (WFMU)