Byron Coley and Thurston Moore’s “Bull Tongue” column from Arthur No. 28 (Mar 08)

BULL TONGUE
by Byron Coley and Thurston Moore

from Arthur No. 28 (Mar 2008) [available from The Arthur Store]

Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/06/kites_final-worship.mp3|titles=KITES – “Final Worship”]

mp3: KITES – “Final Worship”

Load has dropped a warm totem pole of new guh, most notably the fourth release by Kites called Hallucination Guillotine/Final Worship. Kites is the solo sound art project of Providence, RI’s Chris Forgues and it’s always a curiosity where this cat is gonna land. His last record Peace Trials had him delivering weird and exciting song-based ideas but this one has him not so much returning to noise form as refining it in a more succinct, minimalist way. The musicality of harshness is achieved in an impressive and contemporary style. Kites is almost considered old school these days in the hyperventilating world of noise but this is some new juice.

Chris also has a new art book issued by Picturebox called Powr Mastrs which is the beginning of a ten-part journey through the mystic world of a psycho-warrior tribe. If you can dig the exquisite graphic vibe to his record covers then you definitely need to score this.

mp3: YELLOW SWANS—”Our Oases”

Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/06/yellowswans_our_oases.mp3%5D

Another new one on Load is At All Ends by the West Coast duo Yellow Swans. It’s their most thought-harmonic release we’ve heard yet and we’ve heard quite a bit from these drone squall pups. Awesome sweet chug with considerable cooze flow.

mp3: MOUTHUS – “Your Far Church”

Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/06/mouthus_yourfarchurch.mp3%5D

Yellow Swans had an early autumn tour in the USA with Brooklyn’s magnificent Mouthus. Mouthus we continually rave about and their fistful of self-released CDs have been always welcome whippets of dense blacked-out snort tone but we were fully unprepared for the royal roar of their new Load load Saw A Halo. The heaviest of rock-mind meltdown engorged by buckets of brain fry amp smoke and experimental percussion in its most NOW of sound states. Proves Mouthus to be at the forefront of what we hoped and desired from a post-Dead C factory of art/magic. Fucking sweet.

mp3: SWORD HEAVEN – “Town Hag”

stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/06/swordheaven_townhag.mp3%5D

The amazing slamming sweatpig sensuality of Ohio’s Sword Heaven is in full flesh-thumping effect on their Load LP Entrance. The duo of Aaron Hibbs and Mark Van Fleet is one of the most crucially hardcore bizarre performance ritual acts since post-early Swans intensity. Finally a record is out which captures their brutal meat. In excellent b+w gatefold sleeve.

“Television is great. The wind blows across a screen in Nevada, Utah. That’s great, greater than Utah…” – an excerpt from a collaboration between New York poet Ron Padgett with Larry Fagin and Bill Berkson, two contemporaries of Padgett’s and all three from a long history of late 20th-century St. Mark’s Poetry Project and beyond poetics. Continue reading

C & D interview Jimmy Joe Roche and Dan Deacon, review AC/DC, more [Arthur No. 27/Dec 2007]

C & D
Two guys who will remain pseudonymous reason together about new music “product”

Originally published in Arthur No. 27 (Dec 2007)

ultimatereality

DAN DEACON & JIMMY JOE ROCHE
Ultimate Reality dvd
(Carpark)
C: State-of-the-art psychedelic film with music composed by electro-dance party joker Dan Deacon and visuals by Jimmy Joe Roche, two guys from Baltimore’s Wham City operation. It’s constructed from clips from Arnold Schwarzenegger’s career—Conan the Barbarian, Terminator, Total Recall, Kindergarten Cop, Predator, Junior—collaged and layered and doubled together into something altogether overwhelming at 35 minutes in length.
D: This is Arnold’s mind on drugs. Arnoldelic, baby!
C: Absolutely gorgeous, seriously funny, weirdly poignant and possibly seizure-inducing. This is a landmark work. It’s the first time someone has taken the stuff those Fort Thunder and PaperRad dudes were (or are) doing—bright color-saturated, warped psychedelia incorporating pop iconography—and thrust it forward into a new realm of…of…beauty, really. Watching this right now is for me like seeing “Wonder Showzen” for the first time, or Chris Morris’s “Blue Jam”: a breakthrough on many levels, by somebody pretty much out of nowhere.
D: [reading from Arthur Magazine office rolodex] Or Baltimore…
C: [mischievously] Hand me that. Let’s make a phone call. [Dials on red phone…] Hello? [In Howard Cosell voice] Yes, this is Arthur magazine. We are seated here drinking kratom-powered smoothies having just watched “Ultimate Reality,” and we had a few questions for the filmmakers. [turns speaker phone on] So, Jimmy, what exactly is Wham City and you guys must know the Fort Thunder guys, right?
JIMMY JOE ROCHE: Wham City—the space—was a dingy, insane warehouse, then another one. Me and Dan and Dina and Adam and some other kids lived together at SUNY Purchase, all graduated in 2004, and we had this sort of unfigured-out energy. We knew we wanted something, we had a vision undulating out of control, and those guys wanted to move to Baltimore, because it’s cheap as hell. It seemed like it was a potential void where someone could come in and do art, totally fresh.

Continue reading