Yearly Archives for 2010
No Exit—from the Not-So-Great Depression
No Exit—from the Not-So-Great Depression
by Charles Potts
No Exit is the title of one book by Jean Paul Sartre, a French writer, communist and co-father of Existentialism that I’ve never been able to read, even though I have always admired the fact that he thumbed his nose at the Nobel Prize for Literature saying something like, “I don’t accept prizes, whether the Nobel or a sack of potatoes.” The Nobel Prize for Literature, as you’ve probably heard, is passed out by a pack of gunpowder academics from the net proceeds of the fortune of Alfred Nobel, the inventor of dynamite, by confusing politics with literature. Each year they make some kind of difficult-to-decipher gesture toward one or another enclave in the Third World. They haven’t given one to an American for a long time—trying to snub the Empire, I suppose. Who knows what all they read on their way to spurious decisions.
To give you an example of how far into the mire language has fallen, I’m under the impression the Swedes delegated the awarding of the Peace Prize to the Norwegians, and as an old Swedish girlfriend of mine used to say, “He ain’t Norwegian” when she wanted to insult somebody, the way dweebs from Eastern Montana make fun of the hapless denizens of North Dakota. I mean, they gave the Peace Prize to the Boy Scout from Chicago and he had to pick it up the very week he announced he was sending an additional 30,000 troops to win the war in Afghanistan at a cost of $30,000,000,000, i.e. thirty billion dollars. I hope the unemployed are sitting down for this but my honorary degree in rocket science suggests that it is impossible to win a colonial war when it costs the Empire A MILLION dollars per soldier to put a pair of boots, as the talking heads put it, on the ground. Even if they were taking gold out of Afghanistan by the trainload, colonial war is a losing proposition. And there is nothing else there to “win” either. The last time I can remember that the Peace Prize went to such a warmonger was when the great war criminal Henry Kissinger accepted it, on behalf of the scut work he did for the scoundrel Richard Nixon in the Empire’s war on Vietnam. Americans have forgotten their own colonial history, if they ever knew it. Back in the day, early 1600s, with the importation of some good tobacco from the Orinoco River in South America, Virginia became the drug producing capital of the new world. Fortunes were made. Now the Empire has the effrontery to try to wipe out the opium producers in Afghanistan.
Colonial War in all its many disguises is one of the primary reasons why there is No Exit from the not-so-great depression. To give the Tea Party sympathizers among the audience an example they can get their red meat teeth into, the Cheney-Bush Administration started and lost three unnecessary wars simultaneously while bankrupting the Treasury and blowing a hole in the world economy that likely won’t get re-filled in the length of an ordinary lifetime. And Republicans wonder why they are out of office.
To take their undeclared wars one at a time… (By the way, this civilization declared war in 1941, two years before your author was born, and has never declared peace. We have war as a way of life, described in the political literature as “Peace and Prosperity,” going down in history as a violent parody of standards even double-talk can’t reach.) In their post 9-11 mind set in concrete, they launched the aforementioned War on Afghanistan, allegedly because the perpetrators of 9-11, mostly Saudi Arabians and Egyptians, once trained there. It was described by that half-an-asshole semi-Colon Powell as asymmetrical warfare, overlooking the fact that the asymmetry was provided by the Empire, when a handful of special ops could have taken out the survivors of the plot for chump change. At least that’s the way Eisenhower’s CIA used to do it during the “Peace and Prosperity”-driven 1950s. Discontent with starting a war they couldn’t finish much less win led them on to the War on Iraq, a regime changer if there ever was one, to depose a war criminal satrap the Empire had set up years before, one Saddam Hussein by name, who never made the slightest dent in his long war against Iran, even with the Rumsfeld-provided poison gas.
Lying their way into war is the modus operandi of the Empire, now in need of a theme. Voila! A War on Terrorism. A war on abstract nouns is the perfect setup for the Empire. The enemy can’t be found, so Osama bin Laden is still at large, generating funds for both sides. The siege mentality of the Paranoid Christian Fascists has them fighting Islamo-Fascists and the Fascists are winning. For every terrorist killed three new ones are created, an endless supply for an endless war, in an Empire presided over by endless fruitcakes. The Empire has 16 separate spy agencies, all gathering information and hoarding it from one another, much less the people on whose behalf it is purportedly gathered. If you have a secret and somebody else wants to discover it, that somebody else becomes pro forma an enemy. The interlocution of paranoia; the structure of political madness.
The algorithm for the end of empires has three integrals and derivatives. How fast the leaders burn through their assets, chief of which is the support of their populations; the size of the asset base; and the quality and focus of the opposition. Costs of empire are borne by the entire population while the benefits accrue to the very few with inside jobs: no-bid contractors who milk the sacred American cow. In other words, the calculus of empire and colonial war is an exercise in socializing the costs—socialized war, anyone?—while privatizing the benefits. This best of both worlds is a dream scheme for plutocrats and a nightmare for everybody else. An Alice in Wonderland foreign policy presided over by the presidency, no matter who holds the office, presages an epic disaster.
If you haven’t dropped out yet, it’s probably time.
Charles Potts: wikipedia
Previous work by Charles Potts in Arthur…
“The Recession and How to Live Through It” (Jan 2009)
Poem in Arthur No. 5 (special “Arthur Against Empire” issue)
Charles Potts & SUNN 0))) at ArthurFest 2005 – video footage
Arthur Radio Voyage #9: Forest Dwelling with Overture
Above (left): Collage by Aya & Jason (Overture), created live in the radio station during the broadcast of Arthur Radio Voyage #9. Double-click to view fullscreen.

Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/03/Arthur-Radio-Voyage-9-Forest-Dwelling-with-Jason-Aya-3-14-2010.mp3%5D
Download: Arthur Radio Voyage #9: Forest Dwelling with Overture
This week we arrived at the Newtown Radio studio to find it transformed beyond recognition… emerald green vines blanketed the walls, and a lush carpet of multi-colored mosses and swamp grass covered the floor. We pushed our way through a thicket of elephant ears into a sun-dappled glade, where our guests Jason & Aya (otherwise known as Overture, the minds behind the cover of the recent Six Organs of Admittance/Azul split LP), were seated on bed of soft purple and magenta leaves. We listened under the shade of a poplar tree as they read tales of fantastical landscapes where landslides, floods and rainfall had created a boggy wonderland full of dancing musical animals, rhubarb babies, and a wise old vegetable lady…
After the storytelling, we ventured into the glade to ask our enchanting guests more about these worlds they had woven before our eyes. The first reading, it turns out, was inspired by a spine-tinglingly beautiful animation that the the super-artist duo made for Múm‘s song “Rhubarbidoo” from their 2007 album Go Go Smear The Poison Ivy.
The second reading was inspired by the following three animations, which the artists made for experimental piano maestro Hauschka‘s 2008 album Ferndorf:
The third reading, a story in which “An old man confronts his fears, traveling across a personal landscape to realize and accept his path,” was based on an animation Overture made for the song “Bless” by Icelandic musician Kira Kira, which is featured on her 2008 album Our Map to the Monster Olympics. This video was just released to the world officially yesterday — Enjoy!!!
Learn more about Jason & Aya’s work and future escapades at http://www.opertura.org and on their blog.
This week’s playlist…
Continue reading
New Orleans still makes something
From a piece on the forthcoming “Treme” tv series (from David Simon, creator of The Wire) in this coming Sunday’s New York Times Sunday Magazine…
“THERE’S A THING about being capable of a great moment,” Simon told me on a break from shooting. “This city is capable of moments unlike any moments you’ll ever experience in life. To see an Indian come down the street in full regalia on St. Joseph’s Night on an unlit street of messed-up shotgun houses and one burned-out car, and he’s the most beautiful thing on the planet, and everything around him is falling down. It’s a glorious instant of human endeavor. It’s duende from the Spanish, chills on the back of your neck, and then the next minute it’s gone. Lots of American places used to make things. Detroit used to make cars. Baltimore used to make steel and ships. New Orleans still makes something. It makes moments. I don’t mean that to sound flippant, and I don’t mean it to sound more or less than what it is, but they’re artists with a moment, they can take a moment and make it into something so transcendent that you’re not quite sure that it happened or that you were a part of it…”
Guantanamo
Music: Massive Attack with Damon Albarn
“Filmed inside Cambridge University’s anechoic chamber (designed to create total silence) and featuring former Guantanamo Bay detainee, Ruhal Ahmed, this short by Adam and Olly is a reflection on Ahmed’s experiences whilst in detention (particularly how he was interrogated using high-volume music) and about the use of human sound on the body.”
Downhill skating in Puerto Rico…
Quality conversation starters
SUMMER DREAMS






A Midsummer Night’s Dream
pictures from the film by Jirí Trnka
1959
All hail the Shaking Ray Levis…
The Shaking Ray Levis remain one of America’s unheralded SOUTHERN free-improv treasures. They have been active in performance, teaching, and organizing in the region since 1986. The 1993 Shaking Ray Levis Festival in Chattanooga, Tennessee was one of the most important festivals of the period, featuring sets by Anthony Braxton, “the last working Southern black minstrel” Abner Jay, Caroliner Rainbow and others…far and away beyond the present day Bonnaroos.
Here is a 20-minute mini-documentary about the festival by filmmaker Michael Johnson.
BONUS CLIP: An excerpt from one of Derek Bailey’s final USA performances, at Tonic in NYC with the Shaking Ray Levis in 2003…
Mold May Help Design Future Transportation Routes
The tendril network of a slime mold is a near match to Japan’s railway sytem. Photo via Science/AAAS
Miraculous Mold! Invade LA’s public transport please…




