"Rather than waiting for pie in the future…" (EMMETT GROGAN)

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From a piece by San Francisco Digger Emmett Grogan, as printed in the August 1968 issue of The Realist:

[T]he amount of anxiety, fear, trembling, nervousness that I put out, I know determines people’s reactions to me, whether it’s trust, friendliness despite appearance.

So then, what if all the people who had that insight were able to begin combining forces, totally neutralizing all negative affect, totally letting it drop into the void, hence transforming all that energy into conversion of consciousness to friendly nature—you’d then have autonomous communities rising as they do in San Francisco which involve kids living together and inviting other people in to join them for an evening or longer—it means the amassing of people together as in giant human Be-ins: not so much to demonstrate their force to others but to demonstrate their tranquility and quietness and presence to others, and to themselves; to reinforce the awareness, to exchange Upaya, skillful means, trade secrets of communication-forming proposals—proposition not opposition—proposals for a new society based on new consciousness, and then putting them into operation on a small scale, mutually, into operation as an example, rather than waiting for pie in the sky, rather than waiting for pie in the future, rather than waiting for Utopia to come through revolution.

Practicing on the basis of what’s known already, so we have the development of free stores in San Francisco, free food in the parks, the Diggers’ extensions of energy, the anonymity of most of the Digger people, the Communication Companies or the Free City news services which mimeograph and print the daily news for the people so they get it fast, etc.

Where there’s going to be a rally, where there’s going to be music, where there’s going to be free food, where you can get sleep, where you can get jobs, where you can go out into the country free so you can straighten your head out or freak out among true friends—so you can decontrol yourself of the city conditioning, calm yourself for a while and return to tribal-mammal origins in the original ecology for which we are fit, which is not the noisy, metallic city, as Leary has pointed out very radically and wisely: “Put all the metal underground, back where it belongs.” If there’s going to be bridges and buildings and machinery, then don’t let that displace the living, organic material which is our natural friendly life form.

Obviously the surface of the planet has got to be replanted back to some sort of living delight, instead of dead vibrations. Get to work. You are the Free City planners.

So there is an autonomous idea of what Utopia is, ecologically, as something to work for, and concretely possible toward that sense. Goodman’s suggestion: applying immediate social welfare ideals and principles—pay people to live in the country—like people on New York welfare. Give them the same money, and say: “You don’t have to live in New York, you can live out of New York.” That’ll depopulate New York, remove the pressure on New York, straighten many heads out, calm everybody down to some extent. Have a healthier life—the “underprivileged,” they’ll get in the groove of being way out in the country and walking with clouds and stars, and talking with trees. And also save all the giant bureaucracy costs of the city.

But the only thing that will allow each of us to create his or her Utopia is praxis—and the pooling of our resources to free each of us to pursue our individual activities and strengthen the autonomous boundaries of our free cities of the now.

Tax Collection to Art Collection

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As tax season slowly releases its grip on April USA Today reports on the amazing tax policy in Mexico in place since 1957 that allows artists to pay their taxes with artwork, creating an invaluable collection for the nation.

“Some of the art is explicit, but no matter.

‘There’s no censorship here,’ says Julieta Ruiz, a curator at the museum.

If anything, the temptation to needle the taxman makes the art even edgier.”

Arthur Radio Transmission #14: Cave Crawling

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Arthur Radio is moving from daytime into nighttime, now broadcasting live every Sunday from 9-11pm EST on Newtown Radio. This past Sunday we spelunked our way into the new slot, feeling our way blindly through the cavernous darkness until our purple-hued blacklights hit upon a a sparkling formation of phosphorescent rocks. We decided to sit for awhile and rest in their glow, listening as intermittent drops of water fell from nearby stalactites, echoing endlessly along the ancient limestone corridors from which we came…

Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/04/Arthur-Radio-Transmission-14-4-17-2010.mp3%5D
Download: Arthur Radio Transmission #14 4-17-2010

Songs played this week…
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"African Earth"

“FIRST EARTH is a documentary about the movement towards a massive paradigm shift for shelter — building healthy houses in the old ways, out of the very earth itself, and living together like in the old days, by recreating villages. An audiovisual manifesto filmed over the course of 4 years and 4 continents, FIRST EARTH makes the case that earthen homes are the healthiest housing in the world; and that since it still takes a village to raise a healthy child, it is incumbent upon us to transform our suburban sprawl into eco-villages, a new North American dream.”

FIRST EARTH official website
http://www.davidsheen.com/firstearth