ON THE TRAIL OF THE LONESOME SNOCK Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!
CHEW THE LEAVES, GET IN THE TANK Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.
BURIED ALIVE BY THE SUFIS Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes
GASH, CRASH, ASH Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.
THE BIOPHONIC MAN Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.
GIANT STEPS FOR MANKIND Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.
FLOWERS, LEAVES, ANARCHISM Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds
Originally published in Arthur No. 35 (August, 2013)
“Everything we grow, we touch”: Norm Fetter and Heather McMonnies-Fetter (plus special helper) of Woodland Jewel Mushrooms
THEY’RE MEDICINAL! Text and photography by Camilla Padgitt-Coles
I first met Norm Fetter and Heather McMonnies-Fetter a few years ago in their backyard in Philadelphia’s Fishtown neighborhood. We had an outdoor meal with ingredients the couple had grown in their abundant garden, which was overflowing with vines and healthy-looking edible plants. At the time, Norm also had a recording studio set up in their row house and was making music under the alias Enumclaw—think Klaus Schulze’s Crystal Motion or Ricochet-era Tangerine Dream, but with a warmer, more serene and optimistic overtone. Since then, the couple have moved out to the countryside of Pennsylvania, had two adorable kids, begun construction of their family farm and opened a business, Woodland Jewel Mushrooms.
Late this past spring, I took a train out from New York to interview them for Arthur, listening to Enumclaw’s Opening of the Dawn album on my headphones.
The window scenery changed from buildings to rolling hills and open skies, the sparkling synthesizer soundscapes falling like a calming mist. Heather picked me up from the station in her car with three-year-old Leif in the backseat, and told me the story of how she had given birth to their second child, Cymbeline (named after the Pink Floyd song), in that same backseat as they were en route to the hospital the year before. After arriving at the farm we ate a lunch of delicious oyster mushroom soup and quinoa-oyster mushroom burgers, then headed up to the barn, where I spoke with Norm about what they’re up to…
Norm’s hand holds a bagful of golden oyster mushrooms.
Arthur: When you moved out here did you know you were going to be farming mushrooms? Norm Fetter: We knew we wanted to do something. We had already decided to radically change our lifestyle by moving out here and having kids. But we weren’t quite sure what it was gonna be, yet. Heather had been working at the art museum in Philly and I had been doing freelance construction and carpentry. Luckily, shortly after we moved out here, we met a couple that have a really successful microgreens business, and they were super influential. They kind of took us under their wing and really got our confidence up. We had been growing mushrooms on a hobby scale at home for a couple years, but had never really considered making the jump to actually trying to do it as a livelihood. But these guys were like, “Yeah, we did it, we started with a small greenhouse in our backyard and now have a 35 by 120 foot long greenhouse.” (laughs) They were super-influential. And they helped us get into the restaurant scene in Philly and start meeting chefs. If it weren’t for them, it would’ve taken us a lot longer to get up and running.
Do you have a science background, or how did you get into farming this way? Through mushrooms, really. We just started growing them at home. Just occasionally, in our row house in Philly, just for friends.
What kinds did you start with? Oysters and Shiitake. When we expand, that’ll include a lot more: Maiitake, Lion’s Mane, Pioppino. But there are so many huge mushroom farms down in Kennett Square, which is about 40 miles south of us. That’s actually considered the mushroom capital of the world. I think 60-70% of all the mushrooms produced in the country come from this one town. That’s why we were on the fence forever, we were like, “Do we really wanna start an independent mushroom farm 40 miles from the biggest corporate mushroom center in the world?” But the more we looked into it, it turned out, as you can assume, those huge farms go through big distributors, the stuff sits in warehouses, and by the time it gets into the hands of chefs, it’s wilted. So we decided to focus on certain varieties that they don’t necessarily grow that much, and deal directly with chefs, and people. We try to harvest the day of delivery or the day before delivery, so by the time they’re in your hands you can’t get them any fresher. And they’re super perishable, they don’t have really a great shelf life anyway. We’ve been able to find a niche of people who really wanna deal with a smaller scale farmer. And it’s advantageous being that close to Philly, too, there are so many great restaurants in Philly. And everybody’s on the whole “eat local” vibe, so… We’re going to start doing farmers’ markets, which will be cool. It’s nice to deal with chefs, but I’m really excited to do the farmers’ market thing for the social aspect, meeting people, talking about what we’re doing, getting excited about it. Meeting other purveyors and other farmers there, too.
ON THE TRAIL OF THE LONESOME SNOCK Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!
CHEW THE LEAVES, GET IN THE TANK Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.
BURIED ALIVE BY THE SUFIS Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes
GASH, CRASH, ASH Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.
THE BIOPHONIC MAN Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.
GIANT STEPS FOR MANKIND Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.
FLOWERS, LEAVES, ANARCHISM Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds
Plus…
* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!
* The Center for Tactical Magic on demons and drones…
* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.
* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…
ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!
CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.
BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes
GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.
THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.
GIANT STEPS FOR MANKIND Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.
FLOWERS, LEAVES, ANARCHISM Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds
Plus…
* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!
* The Center for Tactical Magic on demons and drones…
* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.
* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…
Roll call for the artists featured on Arthur’s new BLACKOUT compilation…
Moon Duo
White Hills
White Noise Sound
Lords of Falconry
Endless Boogie
Masters of Reality
messages
Enumclaw
BLACKOUT, a specially sequenced compilation, is available as a digital download direct from Arthur on a sliding scale starting at $4.20. Click here for the details, including a streaming audio preview. All proceeds benefit the Arthur mission. Thank you, and hope you dig it…
Arthur’s new 49-minute mixtape, specially designed to accompany (or simulate) a human-plant interaction, is now available as a digital download, featuring a high resolution JPG of the Arik Roper artwork (above), some additional art and text, and the following sequence of songs, as selected by Arthur editor Jay Babcock and sewn together by engineer/mixer Bobby Tamkin.
Arthur Radio is moving from daytime into nighttime, now broadcasting live every Sunday from 9-11pm EST on Newtown Radio. This past Sunday we spelunked our way into the new slot, feeling our way blindly through the cavernous darkness until our purple-hued blacklights hit upon a a sparkling formation of phosphorescent rocks. We decided to sit for awhile and rest in their glow, listening as intermittent drops of water fell from nearby stalactites, echoing endlessly along the ancient limestone corridors from which we came…
Film for the title track off the gorgeous new Enumclaw record, Opening of the Dawn. Streaming album preview, limited edition vinyl and mp3 downloads: Honeymoon Music
This lovely piece of still-time new age is off “Eclipses,” a new album by Robert A.A. Lowe and Rose Lazar, courtesy the good folk of Thrill Jockey Records. Available on LP with 12” x 36” full color double sided poster (!), which, they say, is “included to properly voice the images, which end up as a sort of storyboard to the music…”
You may recognize Rob from his work as Lichens, or as a member of 90 Day Men and Singer…or the mighty Om, who he played with on their recent North American tour. (He’s about to leave for Europe for more dates with Om.)