‘GWC’ Finale! (part 7) by Jesse Moynihan

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Enjoy the miraculous finale of GWC, our next installment of ARTHUR COMICS.

About Jesse Moynihan:
Jesse Moynihan self published 2 books in 2005, and ran a strip in the Philadelphia Weekly. He’s been featured in Meathaus and Canicola anthologies. This year, Bodega put out a larger volume of his work called Follow Me. He recently collaborated with Dash Shaw on a strip that will appear in an upcoming issue of Believer Magazine. Recently, Jesse has been plugging away every Thursday on his webcomic, Forming, which is a sprawling account of human origins, transgender aliens, and ripped gods.

About Arthur Comics
We are proud to bring you Arthur Comics curated by Floating World. Stop by our oasis, http://www.arthurmag.com/comics, for a leisurely bath in our new interactive format, an exclusive collaboration with GreenerMags / グリーナーマガジン.

John Pham 'Living Space' exhibit at GR2

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April 10, 2010 – May 5, 2010
Reception: Saturday, April 10, 6:30 -10:00

GR2
2062 Sawtelle Blvd.
Los Angeles, CA 90025
gr2.net
310.445.9276

Giant Robot is proud to host Living Space, an art show featuring new work by John Pham.

John Pham is a Los Angeles-based, Xeric Grant-winning artist and creator of the ongoing graphic novel series Sublife, published by Fantagraphics, in addition to making work for various galleries and clients.

The work in Living Space portrays a cartoon world with its own set of laws and internal pop-inspired logic. The flat, vibrant colors and abstract lines clash with caricatures of urban, Los Angeles streetscapes and the people who live there. Rules of perspective and representation are willfully ignored in the gouache paintings on panel; the familiar figures, faces and places are distilled into contorted, colorful versions of themselves. Everything becomes, in effect, a cartoon. At first glance, the fluorescent-skinned, fractured people and pop candy-colored buildings may seem alien and off-putting. Upon further inspection, and with some familiarity, they prove inviting, friendly and, most importantly, human. The pieces will be mostly gouache paintings on panel with a few sculptures.

"Fabulas Panicas (Panic Fables)": comics written and drawn by Alexandro Jodorowsky ('67-'68)

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On his return to Mexico in the late-’60s, Jodorowsky started writing and drawing a subversive weekly comic strip (”Panic 
Fables”) in the right-wing newspaper The Herald.

“For four or five years every Sunday I drew a comics page, a complete story,” he told me in 2003. “But it was very basic. When I saw [cartoonist and future Jodorowsky collaborator] Moebius making the drawings, I stopped. And I never make any more.”

Here are some sample pages via http://fabulaspanicas.blogspot.com/—go there to see larger jpgs…

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Kickstarter – DIAMOND COMICS #5 – Free comics newspaper of experimental & psychedelic art

I heard about Kickstarter just a few weeks ago by word of mouth. It’s a fundraising website that works like an online pledge drive for creative projects. Artists are using the site to fund album recordings, independent film and video game production, book publication, liscensing costs, travel expenses and other art projects. I think this site has a lot of potential and it’s been cool to see it mentioned more and more on the web the past few weeks. Most projects need between $1000-$10000 to become reality. Prohibitive for many individuals; but with the help of a hundred or so backers chipping in the goals are being met.  Kickstarter is there to bridge that gap between the dreamers and their benefactors.

For the past two years, I’ve published a free comics newspaper called Diamond Comics which I distribute through local coffee shops, bars, record shops and other cool businesses around town. Basically the same places where you might’ve found a copy of Arthur. Each issue would generally lose a little money, which I would write off as an advertising cost. But if this thing was sustainable I could afford to do it more often and put out new issues on a regular basis.

With the Kickstarter model I set the monetary goal and the deadline that we need to raise the money by. If we don’t hit the goal in the next 40 days, I actually get none of the funds. On one hand the potential for failure was a little intimidating. But I know from experience that the finances of a business are equally cold, hard, and fast, so it’s an accurate model.

Kickstarter suggests that I film a video where I explain my project and also offer different gifts or incentives for the various levels of sponsorship. If you sponsor a recording artist it’s likely you can get your name listed as a “producer” in the credits or even have something personal worked into a song lyric. With Diamond, I’m offering free issues, a printed ‘thank you’ in the next issue, and archival prints of covers from past issues. The video thing actually held me up for a couple weeks after my proposal was approved. Oh yeah, Kickstarter is invite only. Which I originally misinterpreted as something like a Google invite where users would have to invite me. No, you just email Kickstarter with your proposal and an individual responds within a day or two. They seem enthusiastic to have users spread the word about their site which is the right way to do cooperative marketing.

For anyone who’s used a Blogger, Twitter or Vimeo, Kickstarter’s interface is very appealing and easy to use. I set up my bio and profile, put a picture in, attached some links, came up with the incentive rewards, and finally recorded a video of myself talking to put a face to the project. Now the excitement begins as I watch people from all over the world sponsor the project and spread the word with their Facebooks and Twitters. It’s taking all this internet time and energy we normally dump into our computers every day but actually focusing it into tangible real world results. Put your money where your mouse is.

Dylan Williams interview on PROFANITY HILL

Jason Miles interviews owner/operator of Sparkplug Comic Books, Dylan Williams.

From Profanity Hill:

The truth is the Punk DIY thing is SO SO SO amazing to me. I hate mainstream society in so many ways. Everything I love is usually done by nuts. Sometimes they get accepted like Herge or Carl Barks but most of the time they are just seen as nuts. And they have to do it themselves. I used to feel so self conscious of that, in that typical comic way where you think you suck cause nobody likes you or wants you to be part of their world. But then I realized that is the root of punk, that you can’t “do it right” so you just end up doing it your way.

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Dylan with his Grandma

Tristan Pernet – "Jean Josef Jesus" – Supreme!

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Our next installment in the Arthur Comics series drops…
so click here to check it out!

About Jean Josef Jesus:
Jean Josef Jesus is a comic zine, 30 pages long going on 100. The work will premiere in conjunction with a narrative installation in an exhibition in May 2010 at the ESAD, a school of decorative arts in Strasbourg, France, as part of its graduate degree program in illustration. Six pages from the collection will appear in the next issue of NYCTALOPE.*

About Tristan Pernet:
Tristan Pernet is a French illustrator/graphic designer and one of the founders of French Fourch, a non profit platform for multimedia publishing. You can check out his stuff over here: tristanpernet.com/

*Thanks to Emilie Friedlander for the worthy translation…

'GWC', part 5+6 by Jesse Moynihan, now available in High Third-Eye Definition

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Get ready for more transpersonal vision and non-locality
as Jesse Moynihan’s GWC continues!
Click to read the new GWC

We are proud to announce the launch of Arthur Comics brought to you by Floating World. Stop by our new oasis, http://www.arthurmag.com/comics, for a leisurely bath in our new interactive format, an exclusive collaboration with GreenerMags / グリーナーマガジン. Enjoy the next eight pages of GWC, followed by all our previous editions in sequence. Check back soon for the full Arthur Comics archive!

About Jesse Moynihan:
Jesse Moynihan self published 2 books in 2005, and ran a strip in the Philadelphia Weekly. He’s been featured in Meathaus and Canicola anthologies. This year, Bodega put out a larger volume of his work called Follow Me. He recently collaborated with Dash Shaw on a strip that will appear in an upcoming issue of Believer Magazine.

Meanwhile Jesse has been plugging away every Thursday on his webcomic, Forming, which is a sprawling account of human origins, transgender aliens, and ripped gods.

Dunja Jankovic interviewed by Emily Nilsson

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Emily Nilsson interviews Croatian born comics artist/musician Dunja Jankovic on the Sparkplug Comics blog.  Click here for the full interview.

What are your main influences as an artist?

In a random order: 60’s and 70’s hairstyles, outsider art in every form, Constructivism, ceramics (even though I’m not making it, but I’d love to), street art and art in the woods, trashy you tube videos, photos from socialistic era, Yugo-nostalgia, thrift stores and flea markets, Kosmoplovci, Komikaze, indigenous art, masks, ritual dances, rituals in general, smoking cigarettes, quitting smoking and then starting smoking again, afghan war rugs, Indian rugs and art in general, music, green architecture, black olives, diving, diving, dying…