Sunday, Sept 5: Arthur presents LOWER DENS (feat. JANA HUNTER) special DUSKTIME show at Pappy & Harriet's in Pioneertown, CA (near Joshua Tree) – FREE, ALL AGES

Download: “Tea Lights” – Lower Dens (mp3)

Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/08/02-Tea-Lights.mp3%5D

Beautiful song off the new Lower Dens album, available via Gnomonsong. Details on the band’s current tour, plus a great photo blog, are at Lower Dens on tumblr.

Lower Dens features the vocals of Jana Hunter, who was one of 20 artists on Arthur’s 2004 compilation Golden Apples of the Sun, curated by Devendra Banhart (available for $10 from the Arthur Store).

Jana also played the Arthurdesh benefit in Brooklyn in early 2009, for which we are forever grateful.

We are psyched to welcome her and her new band to Pappy & Harriet’s Palace in Pioneertown, California for a special FREE, ALL-AGES, special DUSKTIME (6pm) show on Sunday, September 5.

More info on Pappy & Harriet’s here: pappyandharriets.com

TONIGHT Sun Aug 29 NYC 7pm: Arthur presents SANDY BULL documentary at Anthology, with director present

8.28.10: JUST ADDED: Guitarist Steve Gunn will perform a 30-minute electric set with John Truscinski on drums following the screening.

Anthology Film Archives and Arthur Magazine present

Sunday, Aug 29
7:00 PM

NO DEPOSIT, NO RETURN BLUES & OMA
by KC Bull
ca. 65 minutes.

NO DEPOSIT, NO RETURN BLUES (
2004/09, 55 minutes, video)
A cult hero revered in folk circles and beyond for his incredible ability to play seemingly any stringed instrument, Sandy Bull’s virtuosity was only matched by his technological curiosity and inclination towards experimentation, both in the studio and onstage. Often compared to contemporaries such as John Fahey and Robbie Basho, Bull’s music merges influences from the worlds of jazz, classical, Arabic, and Indian composition, yet always retains an immediately distinctive feel that comes across as both effortless and timeless. NO DEPOSIT, NO RETURN BLUES shines a light on Bull’s unconventional life, bringing forward many unknown stories, interviews with friends and admirers (Wavy Gravy, Hamza El Din, Bob Neuwirth), as well as long unheard recordings from different periods in his career. If you know Bull’s music you’ll want to see this film, and if his name is new to you then it will serve as the ultimate introduction.

Screening with:
OMA (2001, 10 minutes, 16mm-to-video)
by KC Bull
A short portrait about KC’s grandmother (Sandy’s mom) Daphne Hellman. Daphne was a harpist in NYC who played everything from Bach to boogie woogie. The portrait traces Daphne’s life through stories of her career playing harp and of her several marriages to New York socialites. The film includes footage of Daphne and her long-time musical partner, Mr. Spoons, performing in the Subway.

Anthology Film Archives
32 Second Avenue
New York, NY 10003
(212) 505-5181

$9 General Admission
$8 Essential Cinema (free for members)
$7 Students, seniors and children (12 & under)
$6 AFA Members

Tickets are available at Anthology’s box office on the day of the show only. The box office opens 30 minutes before the first show of the day. There are no advance ticket sales. Reservations are available to Anthology members only.

"The Regular Man" by Dina Kelberman

Dina Kelberman’s first collection of comics and illustrations, Important Comics, will make you think and laugh. Also she has just released the tenth issue of The Regular Man. What else is Dina up to? I’ll let her tell it:

I am an illustrator comics and drawings and website. I enjoy blue, red, yellow and green when used correctly. I got to: go to Purchase College; found Wham City; show work in lots of places and publications; tour the east coast with my friends. Please email me at dina@whamcity.com immediately.
New projects I gots on the burner include: going to SPX in Sept., a book of my Citypaper comics, illustration for the next Nuclear Power Pants album, comics in Friends With Benefits (ltd. edition handmade art book by Impose Magazine) and Fakeheads Anthology, video on Baltimore vs. The World DVD by Current Gallery, & ISBN numbers!

DIY Magic by Anthony Alvarado: Counting Coup – part 1

Acts have power. Especially when the person acting knows that  those acts are his last battle. There is a strange consuming happiness in acting with the knowledge that whatever one is doing may very well be one’s last act on earth. I recommend that you reconsider your life and bring your acts into that light.
– Don Juan, Journey to Ixtlan: The Lessons of Don Juan

Having recently survived a jaw rattling, RV-sideswiping, ocean cliffside-edged, 800-mile bicycling trip along the Pacific coast, from Portland to San Francisco, my thoughts turn towards the concept of honor and danger. It is an old idea: we must stand at the edge of safety & comfort, & flirt with the possibility of death to fully recognize the boundaries of life.

The Plains Indians practiced the art of Counting Coup. To Count Coup you must sneak up to an enemy warrior and touch them with a coup stick . . . and then run for your life! This ritualized combat had little to do with warfare as we understand it in modern terms. The point was not to kill or incapacitate the enemy—although by counting coup the warrior has demonstrated they could have vanquished the foe if they had wanted. It had nothing to do with the modern point of an attack: lessening the forces of the other side. It was instead a form of warfare on a personal level. Do not make the mistake of thinking this merely some sort of game! The stakes for Counting Coup were exactly life & death. This is what gave the act its meaning and power. Honor was once seen as a very real thing, & as something that could be strengthened, fostered and grown by one’s own feats. Tag an enemy warrior, earn a notch on your coup stick.

Nowadays deadly enemy warriors are scarce, but it is still possible to skillfully flirt with risk and danger, and learn from the doing. The simplest example I can think of—short of running up to a group of tough-looking strangers, smacking one on the head with a stick and then running—is to find the biggest, steepest hill in your town and then bomb down it on a bicycle with no brakes . . . but there are an infinite number of ways to Count Coup. I can imagine, my gentle readers, some of you may protest – What!? How is this to be considered magic!? Slapping strangers? Bombing down hills? This sounds more like a bad episode of Jackass. Point taken, but keep it mind that magic is a much larger and more holistic system than we might at first give it credit for, and also that both honor & magic are very ancient concepts, ones which to some degree modern civilization has lost touch with but that I believe to be interrelated. In other words, if it doesn’t make sense, trace back up your family tree far enough and it does. On a simplistic level, when we talk of magic we often are talking about ways of reconnecting to lost & archaic ways of life.

Of course the idea of honor (a real thing that may grow or lessen according to one’s feats throughout life) extends beyond something just practiced by the Plains Indians. It has been a primary attribute of primitive cultures – and by primitive I mean cultures without guns, where combat and war took place on a personal level. Across cultures and history, in all of our oldest literature, from Beowulf to Charlemagne, from Gilgamesh, to King Arthur, to Odysseus defiantly shouting at the blinded Cyclops – we see tales of honor, tales of  the hero attempting to gain personal power and renown through acts of bravery, that is to say through acts of survival. The lesson is repeated again and again; you are the sum of your actions. Nothing more, nothing less. This is a fairly alien concept to us in western commercial capitalism, where we are taught that we are our clothes, our food, our cigarette and shoe brand, the music we listen to the car we drive & etc. ad nauseum. Had that always been the case, Homer’s Odyssey would have featured lots of lengthy chapters detailing what rad sandals the hero wore and what great mileage he got in his luxury class leather interior war ship. Modern media claims that you are what you buy. All the old legends say you are what you survive.

In honor of this dictum, today’s spell is Counting Coup: do something genuinely a bit dangerous!

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Arthur Radio Transmission #25 w/ JAMES FERRARO

Flipping sonic channels on a cosmic TV, we begin this episode of Arthur Radio as sound traveling through an electrical conduit, crackling back and forth between fragmented news stories, advertisement jingles, and satellite static. At the end of the wire we are released into a gaseous, airy atmosphere, where we mutate into Krypton floating in a fluorescent purple light bulb. It is in this alien terrain that we meet our otherworldly special guest James Ferraro @ 55:55 mins, who slowly takes a human form before our eyes.

Manning the helm of a translucent convertible, he drives us down an interstellar slide until we eventually land on Highway 1, blaring an 80s hit grittily at top volume on the car radio, an orange pink and yellow sunset sparkling above the horizon. Many miles away, at the top of Mount Everest’s K2, an avalanche begins to rumble, stirring the perfect sea of snow below. We are everywhere at once; all possibilities exist simultaneously. Traversing between them has never been easier.

Explore more.


STREAM: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/08/ARTHUR-RADIO-TRANMISSION-25-w_-JAMES-FERRARO-7-18-2010.mp3%5D

DOWNLOAD: Arthur Radio Transmission #25 w/ JAMES FERRARO 7-18-2010

playlist ☛☛☛
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New Welsh psych: WHITE NOISE SOUND

Download: “Sunset”—White Noise Sound (mp3)

Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/08/WNS.Sunset.mp3%5D

If you’re gonna (essentially) cover Spacemen 3’s “Revolution” in 2010, good god this is the way to do it. For all the fucked up children of the world, we give you “Sunset,” the opener off White Noise Sound‘s debut album, produced with obvious great care by Cian Ciaran from Super Furry Animals, out Sept. 21 through the good people at Alive/Naturalsound Records. Spacemen 3’s Pete Kember (Sonic Boom) had something to do with this album’s recording.

“Revolution” by Spacemen 3, live: watch here.

A Poem from Kenneth Patchen


Instructions for Angels
by Kenneth Patchen

Take the useful events
For your tall.
Red mouth.
Blue weather.
To hell with power and hate and war

The mouth of a pretty girl…
The weather in the highest soul…
Put the tips of your fingers
On a baby man;
Teach him to be beautiful.
To hell with power and hate and war

Tell God that we like
The rain, and snow, and flowers,
And trees, and all things gentle and clean
That have growth on the earth.
White winds.
Golden fields.
To hell with power and hate and war.

"Solution" by Stanley Lieber

Stanley Lieber is a comics factory, a house of ideas, a bullpen bullet, a Jim Starlin drawing, a Herzog documentary.  Check out his website to preview his new book, The Abandonment of Cruelty.  He’s currently compiling a comics anthology called FAKEwhich will contain his new Actron novella, ACTRON: MY STRUGGLE.  We will serialize the following chapters here on Arthur:
1. SOLUTION
2. MUSCLES
3. YOU’RE TRAPPED
4. ENSIGN SMURF
5. SOME GREAT REWARD
This week’s chapter is the first half of SOLUTION (colors by Pete Toms).