LOOKING FOR MUSHROOMS by Bruce Conner (1967)

From The Sound of Eye:

Looking for Mushrooms
Director: Bruce Conner
Year: 1967
Time: 13 mins
Music: Terry Riley
Expecting a nuclear disaster, Conner moved down to Mexico in 1962, where he spent his time looking for mushrooms with Timothy Leary. Later, Conner added footage of similar hunts in Frisco and in 1997 he decided to set it against a 1968 Terry Riley soundtrack. The result is a strange combination of typical ’60s psychedelic editing with what might appear to be a road movie interested in exotic landscapes. A classic of American avant film.

Download available from The Sound of Eye

MAT BRINKMAN PHANTASMATGORIA opening at The Hole, Sept. 18 6-9pm

So glad I’m in NY this weekend for this art opening.  Mat Brinkman’s Multiforce comics in Paper Rodeo changed my life 10 years ago.  Very excited to catch his first solo show in NY at The Hole.
MAT BRINKMAN

PHANTASMATGORIA

SEPTEMBER 18 – OCTOBER 23 2010

OPENING: SATURDAY SEPTEMBER 18 6-9PM

THE HOLE

104 GREENE ST.

The Hole is pleased to present Mat Brinkman’s first solo show in New York! There are not enough exclamation points in existence to convey our excitement. The last time Mat showed a major work in New York was when he was part of Forcefield in the Whitney Biennial in 2002. I was a Whitney intern back then and like everyone who saw it, had my mind completely blown by that installation. I have followed Mat’s books prints and zines since then, from the epic Teratoid Heights book to his latest neon silkscreen zine by Le Dernier Cri, and got the chance to include him in a few group exhbitions like New York Minute at the MACRO in Rome and Mail Order Monsters, London at Max Wigram and Athens at Andreas Melas Presents. His work was also recently included in Portugal Arte 2010 in Lisbon, Portugal.

But now! Mat will be filling the gallery with black ink works on paper and blasting some rooms with colored light. Plus an advance previewing of selected work by various artists from a yet to be released Necro~Demonic Dungeon~Crawl~Warfare Boardgame. What will this be like? We don’t know. But pinch us because we just can’t believe we are finally getting to see some new art from this secret mega legend artist in our home city.

We will be releasing our first Hole book in conjunction with this show: a coverless mystery book in which we see a monstrous face melting, ripping off, reconstituting, tumescing and exploding. This book may do similar things to you head as well!

METAPROJECT: Learning to live where we are

This essay was originally published in Fly Fishing Catalog 2004; it is available online from Patagonia

Fishing for Paradise
by Freeman House, author of Totem Salmon: Life Lessons from Another Species

Humans need a taste of wild foods once in a while, preferably gathered with one’s own hands. The basic psychic comfort of experiencing the earth as a place that welcomes us by feeding us was hardwired into each of us during our long residence in the Pleistocene. We haven’t evolved very far from that need: It’s still part of the basic definition of being human. It’s this need, I think, that accounts for the undiminished taste for hunting and fishing for which modern supermarkets offer no substitute.

But we are losing ground in our relationships with nature. Within the last century, the developed world has embraced expensive technologies in transportation, agriculture and energy, which in turn provide us with an illusory sense of comfort and prosperity. The expense of those technologies can be calculated in lost topsoil, deforestation, the dewatering of our rivers – the list goes on. Our “comforts” are killing us just as surely as they are making us feel safe. Meanwhile, we grow further and further from the sources of our sustenance, and our very imaginations are drying up as a result of the absence of our primary teachers – the lands and waters themselves, and the creatures with whom we share them. The pleasure of fishing is now tainted by the question of how long such pleasures will be available to us.

Tom Wesoloh, manager of North Coast projects for Cal Trout, tells of fishermen who say to him “If we just let ‘em go, everything will be fine.” Or “If we just stopped fishing for five years, wouldn’t the fish come back?” He replies sadly, “if only it were true.” A growing number of activists and scientists think that we need a more proactive approach to the restoration of our fish populations and (especially) the habitats that support them.

Few individual human minds can grapple with global ecological problems without falling into despair. A watershed, however, presents a scale of possibility in terms of working with nonprofessional residents and neighbors toward a common understanding of home. The goal of working in common toward optimum health and productivity of a complex system is scaled down to fit within our daily experience. You may very well have political and practical differences with a watershed neighbor, but if you are standing on the ground discussing what’s before you, ideological differences have a way of resolving themselves, mediated by the place itself. If you happen to share a watershed with native salmon or trout, it’s not hard to find allies in such work.

In 1978, when my wife and I bought land in remote northern California, watershed restoration was a new idea to most people. It was not a new idea for native Californians who had, before contact, tended to organize their cultures within watershed constraints for millennia. But we moderns had drifted away from our connection to place. In our new home, we identified the obstacles to salmonid reproduction, and introduced the first community-based native salmon streamside hatchery system in California. The idea was to maintain a remnant salmon population while the river recovered from the logging boom of the fifties and sixties.

Although our early efforts showed promise, resulting in an egg-to-fry survival rate consistently higher than 80 percent (compared to 5 or 10 percent in the damaged river), we realized during the first year’s work that it wasn’t nearly enough. It just wasn’t that simple. We needed to develop strategies to hasten the recovery of habitat and ultimately to develop community standards of behavior that wouldn’t replicate the mistakes of the past. We were involved in a timescale much longer than that of a few salmon generations – it was more likely we were looking at a project that might involve several human generations. Public schools and community meetings became as important a part of our activities as were projects to improve riverine habitat and repair sources of future sedimentation.

Twenty-five years later, it’s hard to find a watershed without its own watershed council, at least on the west coast of North America. People who fish, either commercially or recreationally, are often core members of these groups. In my mind, community watershed groups represent the stirrings of a metaproject overdue in modern America – the project of learning to live where we are.

"The Future" by Mike Getsiv

Mike Getsiv has completed three books of wordless comics (Eyeballs, Lightbeam and one more as yet untitled) plus the anthology he edited called Snow Stories. He was a major supporter and contributor to the Eisner-nominated anthology Abstract Comics published by Fantagraphics and now he’s working on a full-length autobiographical comic book called The Green Kid.

He also started a collaborative project called ABCOLAB on Abstract Comics: The Blog and received contributions from ten countries: Argentina, Australia, Belgium, Cyprus, England, Finland, Portugal, Russia, the United States and Uruguay.

Twitter along with him at: http://twitter.com/MikeGetsiv

http://www.getsivizion.com/