ALCHEMY AND BANKROBBING: Applied Magic(k) column by the Center for Tactical Magic (Arthur, 2013)

Alchemy and Bankrobbing

Applied Magic(k) column by the Center for Tactical Magic, illustration by Aaron Gach

Originally published in Arthur No. 33 (January, 2013)

“Money always fascinates people, and magic with money is doubly fascinating.”

—J.B. Bobo, Master Magician and author of Modern Coin Magic

You don’t have to be psychic to know that many people who want their fortunes told have concerns about money matters. Indeed, even the name ‘fortuneteller’ implies a talent for making economic predictions. However, the fortunetellers most in demand these days are a different sort of financial forecaster. Bankers, financiers, and investment brokers gaze not into crystal balls but into multiple LCD screens showing real-time and projected financial data used for profitable prophesy. To the unanointed, the machinations of Wall Street mages are masked in a mysterious lexicon; indeed, it takes a bit of translation to understand the esoteric formulas behind high-frequency trading, an investment strategy based on proprietary computer algorithms devised to exploit minute fluctuations in the markets to make numerous trades at lightning speed throughout the day.  

High-frequency trading is a bit like a magician’s performance of “The Miser’s Dream” in which the performer makes coins appear out of thin air and drops them into a bucket—except there’s no show; only money and a bucket. Oh, and also market instability that directly impacts the livelihoods of those of us who don’t even want a seat at the show in the first place. One doesn’t need an economics degree to see the Faustian bind produced through the financial industry’s flash crashes, credit default swaps, commodities speculations, scandals, fraudulent practices and whatever other demons are yet to be unleashed by undisciplined and unscrupulous dabblers.

But, dealing with devils isn’t unique to Wall Street, and ultimately, there’s nothing new about the any-means-necessary path to wealth. Through the ages, numerous grimoires have detailed spells and rituals for gaining riches.

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Arthur No. 35 … still available! $5 cheap! Safe for adults!

Cover by Kevin Hooyman

ARTHUR NO. 35 is still available for $5 from stores and direct from us. Or, read selected articles online, for free…

Contents:

ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!

CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.

BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes

GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.

THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.

GIANT STEPS FOR MANKIND
Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.

FLOWERS, LEAVES, ANARCHISM
Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds

Plus…

* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!

* The Center for Tactical Magic on demons and drones

* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.

* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…

The last two issues of Arthur are sold out from us. Don’t blow it, bucko. Click here to order this issue now at the Arthur Store. $5 cheap!

ON DRONES by the Center for Tactical Magic (Arthur, 2013)

Originally published in Arthur No. 35 (August 2013)…

Screen Shot 2013-11-06 at 7.36.56 PM

Column: Applied Magic(k)
Author: The Center for Tactical Magic
Title: “The Deception of Robot Demons”
Illustration: Aaron Gach

Seldom used in stage magic today, automata (self-operating mechanical figures) featured prominently among conjuror’s acts before the 1900’s. Skillful craftsmen offered public demonstrations of elaborate clockwork characters that could perform entertaining miracles. Perhaps the most famous automaton of all time was the chess-playing spectacle known as The Turk. From the late 1700’s through the mid-1800’s, the turban-topped, robe-wearing, moustachioed machine amazed audiences in Europe and the Americas as he defeated the majority of his opponents, including Ben Franklin and Napoleon Bonaparte.

Despite an intense amount of public speculation and scrutiny, the mystery of its inner workings remained a closely guarded secret for many years. Although some correctly suspected that The Turk was in fact a mechanical illusion that concealed a human chess master, these theories were particularly difficult to prove since The Turk was opened up at the beginning of performances to provide the audience with a view of its interior.

In crafting illusions, it is essential for magicians to deflect suspicion by guiding audience perception. This may occur through misdirection, camouflage, patter—or, in the case of The Turk—a combination of all three presented through a carefully orchestrated sequence of events that gives a false appearance of reality. The final effect in this case was an amusing battle of wits apparently between man and machine that was way ahead of its time. Resonating with some of the earliest fears and hopes of the posthuman condition, it predated Mary Shelley’s techno-angst classic, Frankenstein, by nearly 50 years, and IBM’s Deep Thought chess computer (which lost to chess champion Garry Kasparov in 1989) by more than 200 years.

Somewhere between the horror of Frankenstein and the hubris of Deep Thought a melange of other mechanistic mayhem has emerged with far less entertaining implications. Although Nikola Tesla first conjured the notion of a squadron of remotely piloted warplanes in 1915, it has only been in the past decade that drone warfare has moved from from the shadows into the spotlight. In this “theater of conflict,” we find ourselves once again presented with the illusion of intelligent machinations. As with The Turk, we are often presented with a well-choreographed display intended to subvert our logic through partial truths and deceptive patter.

Drone strikes (particularly when they run afoul) are frequently discussed by government spokespersons as if the machines were making their own decisions, with zero accountability for their human operators, strike teams, or the officers and officials who authorize and oversee these missions from an air farce base outside of Las Vegas. When US missiles kill people in countries that we’re not even at war with, should it even matter if the aircraft had a human being sitting in the cockpit?

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OUT, NOW, EVERYWHERE

a35cvrstore

ARTHUR NO. 35

Click here to order this issue now at the Arthur Store

Cover by Kevin Hooyman

Contents:

ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!

CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.

BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes

GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.

THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.

GIANT STEPS FOR MANKIND
Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.

FLOWERS, LEAVES, ANARCHISM
Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds

Plus…

* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!

* The Center for Tactical Magic on demons and drones…

* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.

* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…

The last two issues of Arthu

THIS ONE TOOK A WHILE TO BAKE

a35cvrstore

ARTHUR NO. 35 / AUGUST 2013

Click here to order this issue now at the Arthur Store

Streets: Aug. 19, 2013

Cover by Kevin Hooyman

Contents:

ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!

CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.

BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes

GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.

THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.

GIANT STEPS FOR MANKIND
Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.

FLOWERS, LEAVES, ANARCHISM
Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds

Plus…

* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!

* The Center for Tactical Magic on demons and drones…

* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.

* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…

The last two issues of Arthur are sold out from us. Don’t blow it, bucko. Click here to order this issue now at the Arthur Store!

MAGIC(K) CALLS: Applied Magic(K) column by Center for Tactical Magic (Arthur, 2006)

Psychic Surveillance: Hi-tech wizardry and ESP come together at this mystic parlor in Stockton, CA. How can you augment your powers of perception?


Applied Magic(k): Magic(k) Calls
by the Center for Tactical Magic

Originally published in Arthur No. 24 (August 2006).

The ancient oracles of Greece, which served as messaging centers between the gods and the mortals, did not shy away from associating metaphysical affairs with technological wizardry. Visitors to the oracles marveled as doors opened, fountains poured forth, and lights flickered all of the their own accord, thanks to an innovative use of hydraulics, pneumatics, levers, weights and balances. Such high-tech engineering (for the times, anyway) not only served to set an appropriate magical tone, but also held the potential to assist in conveying messages from the gods. Although more than 2,000 years old, this blend of magic(k) and tech stands in stark contrast to many of today’s expressions of magic(k). What is it about technology and magic(k) that leaves so many magic(k) practitioners hiding in the folds of their anachronistic robes and tuxedos?

Arthur C. Clarke, author of 2001: A Space Odyssey and the inventor credited with the notion of global satellite communications, once said, “Any sufficiently advanced technology is indistinguishable from magic.” At the surface, such an assertion may seem simple enough; however, there are a few layers to excavate here. Some interpret this to mean we have reached an age where we are quite impressed by our own inventions. The workings of our gadgets have become increasingly imperceptible, if not due to sheer miniaturized size of the parts, then surely due to the veils of specialized knowledge. In the end, we don’t know how a given technology, a cell phone for instance, even works nor do we particularly care so long as we can talk on it when we need to. We take it for granted that there is a technical logic behind the engineering of a cell phone.

For some, that brief insignificant moment of faith in technology is comparable to magic(k)—after all, many (if not most) magic tricks are successfully performed along these very lines. Any enchantment whatsoever is overpowered by the puzzle that remains to be solved. The audience does not wonder if it is “real” magic(k); they wonder at how it is accomplished. While the overall effect may still be enough to satisfy and entertain, the method remains cloaked in secrecy and illusion. Likewise, when a technology performs its prescribed function, we tend not to ask any questions, and thus the mysteries of its inner workings are obscured to all but those with specialized knowledge. This certainly has some parallels with the way some view magic(k), equally in the realms of the occult, entertainment, and perhaps politics as well.

However, the magic(k) of a “sufficiently advanced technology” is not simply manifested solely by its ability to perform its prescribed function without one’s understanding of how it works. Magic(k) teases questions of “what?” and “why” just as much as “how?” Aside from the general mystery of its inner workings, a cell phone appears to be no more magical than a wristwatch or a solar-powered calculator largely because of our familiarity with it and the banal circumstances under which it is used. But when we take a moment to really consider what a cell phone does, we begin to scrape away at another layer of meaning. We act like it’s nothing, but when we use cell phones, our disembodied voices are transmitted invisibly via remote towers networked to celestial satellites (invented by Arthur C. Clarke, remember) floating somewhere in the heavens, before bouncing back to earth to be received by another living person located perhaps thousands of miles away. And this all happens in “real-time.” Is it becoming more difficult to distinguish between technology and magic(k) yet? Well, let’s keep going…

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How to Subvert Institutional Authority Through Graffiti and Other Tactics in 13 Steps

Applied Magic(k): Sigils, Logos and Lucky Charms
by the Center for Tactical Magic

Originally published in Arthur No. 23 (June 2006)

One of the first lessons of magic(k) that we learn as children is that words and symbols have power. Abracadabra. Hocus Pocus. A five-pointed star. A four-leaf clover. As we get older, this primary notion quickly degrades and often becomes the source of one of the first dismissive tendencies towards magic(k) that arises amongst adults. Too many hokey movies and failed attempts to levitate with an utterance conspire against us. Soon the lesson is forgotten; magic(k) words and the power of symbols sneak away to party with Santa and the tooth fairy.

But words and symbols continue to work their magic(k) regardless of whether or not we believe in them. Look at the recent outcry against Madonna singing from the cross or riots in response to Mohammed cartoons and we begin to see that the power of symbols is anything but make-believe. For those who insist that religious sensitivities are an easy shot, consider this secular example: For over 150 years the United States had a Department of War. During much of that time U.S. foreign policy consisted of “neutrality” and therefore the DoW did not lend any direct military support in foreign conflicts. World War II put a definitive end on U.S. neutrality once and for all, and in 1947 the DoW was renamed the “National Military Establishment” or NME (pronounced “enemy”). Realizing the error of their acronym, politicians again changed the name in 1949 to what we know today as the “Department of Defense.” More than half a century after “war” became “defense” the DoD sits deep within the Pentagon planning “pre-emptive defensive strikes” while waving a flag with 50 pentagrams on it.

Okay, so spin-doctoring isn’t exactly the same thing as witch-doctoring. Still, most performing magicians (conjurers) won’t deny the power of language. And few will debate the fact that word choice makes a difference when presenting a trick. Many will even insist that the “patter” makes or breaks the illusion. More to the point, the strength and efficacy of a trick is often closely tied to the audience’s ability to relate both specifically and abstractly to the overall illusion. This is precisely why magic with money tends to hold people’s attention more than tricks with handkerchiefs. Money is already a loaded symbol, whereas how many people revere a silk hanky? If you still maintain your doubts, try first performing card tricks over lunch and then later in the middle of a poker game. Any guesses on which audience gets more riled up when you magically produce four aces from up your sleeve?

Admittedly, the ability to make a scrap of green paper covered in Masonic symbols disappear doesn’t quite live up to our childhood expectations of magic(k). Perhaps this is especially true because we become adept at making dollars disappear all the time. As we grow older, we become initiated into the Church of Consumerism. It is here that we become increasingly distrustful of anything “magical” since we quickly find the mystique tarnished by a barrage of commodities gilded in glitz. Yesteryear’s potions, spells, and apparatuses are hawked as today’s energy drinks, pharmaceuticals, and hi-tech gizmos. Finding ourselves surrounded by “magic” cleaning supplies, “power” tools, and Lucky Charms, it’s easy to concede that there’s no such thing as “real” magic(k). Yet, ironically this is where some of the oldest forms of magic(k) still thrive today.

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The Center for Applied Magic(k): DONUT POWER (Arthur, 2006)

Originally published in Arthur No. 22 (April 2006)

Applied Magic(k): Donut Power
by the Center for Tactical Magic

Although people often associate the word “occult” with secret magical orders, demon-worshipers and ancient alchemical scrawlings, its root definition is simply “secret, concealed, or hidden.” But strangely enough, “occult” is rarely associated with those who are perhaps most invested in secrets and concealments: that is, government, military, corporations and even performing magicians. Perhaps this popular tendency to view “occultism” through an anachronistic mist is ultimately a concealment of its own accord.

If we regard an occult force as “that which is hidden,” it should come as no surprise to realize that we are constantly surrounded by the occult. Everywhere we look we don’t see it…at least not at first. Otherwise it wouldn’t be occult; it would be obvious and apparent. Unseen forces are indeed at play all around us. We often fail to recognize their presence for any number of reasons: the forces may seem insignificant to the situation, we are distracted by other factors, etc. Whether one favors ritual magick or performing magic, the first challenge is to recognize which forces are present, hidden or otherwise.

Fortunately, occult forces sometimes have a funny way of revealing themselves. In 2001, members of the Center for Tactical Magic were enjoying a leisurely tromp through downtown San Francisco with a few thousand other people protesting the 21st Century’s first major display of government occultism: George W. Bush’s inauguration. At the end of the trolley line at Powell and Market, the march lost momentum and gradually slowed to a jiggle. Some protesters scurried into cafes to get their latte fixes while others started break-dancing to boom boxes in the streets. Meanwhile, riot police began to huddle in the doorways of the GAP. There were other big department stores and icons of global capitalism nearby, but for reasons unknown the GAP seemed to be getting the bulk of police attention. (Perhaps it was one of those rare instances where Power reveals itself, as if the cops were hinting, “You’re already gathered to fight injustice, you might as well protest conformist fashion produced by sweatshop labor, too.”) At first, no one seemed to care, except possibly the few shoppers who hurried away at the first signs (namely, armored cops) that something might be amiss. Gradually though, activists seemed to take to the idea, and soon a small group settled down at the feet of the police line to sip their lattes and eat their lunches.

Please see exhibit A, the photo we’ve provided for your entertainment…

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Thru Oct. 25, Basel: WITCHES' CRADLES by the Center for Tactical Magic

From The Center for Tactical Magic:

The CTM presents a new interrogation of power dynamics. Existing at a technological crossroads where torture, recreation, magic, and self-liberation merge together, Witches’ Cradles (2009) are an interactive public installation based on a contemporary re-envisioning of a medieval torture device.

“During the witchcraft persecutions in Europe, Inquisitors are said to have sometimes put an accused witch in a bag, which was strung up over the limb of a tree and set swinging. When witches’ learnt about this punishment they experimented with it themselves and found that the sensory deprivation or confusion of senses induced hallucinatory experiences. A similar swinging motion has long been used by shamans and dervishes and is sometimes known as ‘dervish-dangling’.”
– Encyclopedia of Occultism and Parapsychology

Devised initially for interrogation and torture, the witches’ cradle was eventually reclaimed by its potential victims for flights of fancy and inward journeys to altered states of consciousness. Since then, the past 100 years alone have shown us an array of antecedents that cast both shadows and light on the witches’ cradle, ranging from backyard tire swings to mob lynchings; from New Age sensory deprivation tanks to the haunting images from Guantanamo Bay. Even Houdini’s famed illusion, Metamorphosis (in which he freed himself from a locked and tied canvas sack), promised “self-liberation” and “change in 3 seconds.”

The Center for Tactical Magic’s re-envisioning of the witches’ cradle plays on these historical notes while suggesting a present-day desire to conjure positive transformation. Each cradle consists of a large 5-pointed star designed to simultaneously evoke its magical origins, imperial state power, and a cosmic source of light amidst darkness. After sitting in the center pentagon, the points of the star close overhead as the cradle is hoisted off the ground, allowing the participant to swing gently in the darkened center of the collapsed star. Like a black hole, a holding cell, or a metaphysical amusement ride, the Witches’ Cradles distort time and space. It is at this event horizon that the Witches’ Cradles create a place where one can begin to realize an altered state and contemplate the next course of action.

The Witches’ Cradles can be experienced at the Shift Festival of electronic arts and new media in Basel, Switzerland running from Oct 22 – 25, along with our collection of contemporary Wands. This year’s theme for Shift? “Magic. Tech-Evocations and Assumptions of Paranormal Realities”… Enough said.

For more info:
http://www.shiftfestival.ch/en/shift-2009/home-news/