ON THE TRAIL OF THE LONESOME SNOCK Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!
CHEW THE LEAVES, GET IN THE TANK Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.
BURIED ALIVE BY THE SUFIS Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes
GASH, CRASH, ASH Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.
THE BIOPHONIC MAN Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.
GIANT STEPS FOR MANKIND Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.
FLOWERS, LEAVES, ANARCHISM Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds
Originally published in Arthur No. 35 (August, 2013)
“Everything we grow, we touch”: Norm Fetter and Heather McMonnies-Fetter (plus special helper) of Woodland Jewel Mushrooms
THEY’RE MEDICINAL! Text and photography by Camilla Padgitt-Coles
I first met Norm Fetter and Heather McMonnies-Fetter a few years ago in their backyard in Philadelphia’s Fishtown neighborhood. We had an outdoor meal with ingredients the couple had grown in their abundant garden, which was overflowing with vines and healthy-looking edible plants. At the time, Norm also had a recording studio set up in their row house and was making music under the alias Enumclaw—think Klaus Schulze’s Crystal Motion or Ricochet-era Tangerine Dream, but with a warmer, more serene and optimistic overtone. Since then, the couple have moved out to the countryside of Pennsylvania, had two adorable kids, begun construction of their family farm and opened a business, Woodland Jewel Mushrooms.
Late this past spring, I took a train out from New York to interview them for Arthur, listening to Enumclaw’s Opening of the Dawn album on my headphones.
The window scenery changed from buildings to rolling hills and open skies, the sparkling synthesizer soundscapes falling like a calming mist. Heather picked me up from the station in her car with three-year-old Leif in the backseat, and told me the story of how she had given birth to their second child, Cymbeline (named after the Pink Floyd song), in that same backseat as they were en route to the hospital the year before. After arriving at the farm we ate a lunch of delicious oyster mushroom soup and quinoa-oyster mushroom burgers, then headed up to the barn, where I spoke with Norm about what they’re up to…
Norm’s hand holds a bagful of golden oyster mushrooms.
Arthur: When you moved out here did you know you were going to be farming mushrooms? Norm Fetter: We knew we wanted to do something. We had already decided to radically change our lifestyle by moving out here and having kids. But we weren’t quite sure what it was gonna be, yet. Heather had been working at the art museum in Philly and I had been doing freelance construction and carpentry. Luckily, shortly after we moved out here, we met a couple that have a really successful microgreens business, and they were super influential. They kind of took us under their wing and really got our confidence up. We had been growing mushrooms on a hobby scale at home for a couple years, but had never really considered making the jump to actually trying to do it as a livelihood. But these guys were like, “Yeah, we did it, we started with a small greenhouse in our backyard and now have a 35 by 120 foot long greenhouse.” (laughs) They were super-influential. And they helped us get into the restaurant scene in Philly and start meeting chefs. If it weren’t for them, it would’ve taken us a lot longer to get up and running.
Do you have a science background, or how did you get into farming this way? Through mushrooms, really. We just started growing them at home. Just occasionally, in our row house in Philly, just for friends.
What kinds did you start with? Oysters and Shiitake. When we expand, that’ll include a lot more: Maiitake, Lion’s Mane, Pioppino. But there are so many huge mushroom farms down in Kennett Square, which is about 40 miles south of us. That’s actually considered the mushroom capital of the world. I think 60-70% of all the mushrooms produced in the country come from this one town. That’s why we were on the fence forever, we were like, “Do we really wanna start an independent mushroom farm 40 miles from the biggest corporate mushroom center in the world?” But the more we looked into it, it turned out, as you can assume, those huge farms go through big distributors, the stuff sits in warehouses, and by the time it gets into the hands of chefs, it’s wilted. So we decided to focus on certain varieties that they don’t necessarily grow that much, and deal directly with chefs, and people. We try to harvest the day of delivery or the day before delivery, so by the time they’re in your hands you can’t get them any fresher. And they’re super perishable, they don’t have really a great shelf life anyway. We’ve been able to find a niche of people who really wanna deal with a smaller scale farmer. And it’s advantageous being that close to Philly, too, there are so many great restaurants in Philly. And everybody’s on the whole “eat local” vibe, so… We’re going to start doing farmers’ markets, which will be cool. It’s nice to deal with chefs, but I’m really excited to do the farmers’ market thing for the social aspect, meeting people, talking about what we’re doing, getting excited about it. Meeting other purveyors and other farmers there, too.
ON THE TRAIL OF THE LONESOME SNOCK Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!
CHEW THE LEAVES, GET IN THE TANK Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.
BURIED ALIVE BY THE SUFIS Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes
GASH, CRASH, ASH Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.
THE BIOPHONIC MAN Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.
GIANT STEPS FOR MANKIND Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.
FLOWERS, LEAVES, ANARCHISM Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds
Plus…
* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!
* The Center for Tactical Magic on demons and drones…
* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.
* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…
ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!
CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.
BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes
GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.
THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.
GIANT STEPS FOR MANKIND Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.
FLOWERS, LEAVES, ANARCHISM Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds
Plus…
* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!
* The Center for Tactical Magic on demons and drones…
* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.
* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…
In this second-to-last episode of Arthur Radio, Gustav Ernst (host of experimental documentary radio show Tesla Effect on Newtown Radio) joins Ivy Meadows for an extended Buddhist prayer remix, after which Salvia Plath, host of Rats Live On No Evil Star, historical figure and documentarian, spins songs from Tibet via internet, treads the waters of Brazil, and shares field recordings from Brooklyn and Baltimore, keeping all vinyl running at a steady 33rpm while staying true to the phase shifts in her synesthetic life. She invites musician and sculptor Cammisa Forrest to share the studio. Forrest’s transitions between Salvia’s tracks create an immersive audio reality of wordless harmonic overtures.
“Our language is classical, and we do our best to apply it to quantum mechanics.” Neils Bohr
Cammisa Forrest is working on multiple creative projects. She is currently constructing a frequency sensitive color mixer as part of the ExiTrip project. She also has a forthcoming documentary about the performance space ParlsLondonNewYorkWestNile. You can see the trailer below.
Arthur Radio wants to say We Love You. A Lot. Joining us in this sentiment is special guest DJ Evie Elman, whose documentary Spiritual Lasagna about her grandmother, artist and lover of life Gemma Taccogna (featured on Arthur a few summers back), will cause even the most icy heart to thaw.
Evie’s solo show “Untied” opens tonight, February 14th at Brewers Mansion gallery in Brooklyn with a happening involving “Ancient craft, and sacred ritual via throw pillows, drums, dance, and audience participation” at 8.30 pm, and runs through Friday, February 18th with a closing performance at the same time.
One year ago on this day, Hairy Painter and Ivy Meadows launched the very first episode of Arthur Radio. Hairy is currently on an extended mind-pilgrimage through Thailand, Cambodia, Tibet and beyond, so we dug up this dusty pile of wax from our secret archive to celebrate the occasion. Many thanks to Newtown Radio for hosting the show, and to the many bejeweled special guests who have joined us to grace the internetwaves with their gifts!
Alice Cohen is a musician-animator, a wearer of various brightly-colored hats who has traversed many a terrain over the past 30 years, from Philly r&b songwriter to new wave frontwoman (of The Vels) to the present, where she is both a one-woman-band (her most recent LP “Walking Up Walls” was released on Olde English Spelling Bee in 2009) and the creator of many magical worlds in her meticulously collaged stop-motion animations, which draw from a palette of art deco interiors, vintage women’s fashion magazines, early hollywood memorabilia, abstract shapes, insects, birds, the moon, dream spaces and beyond.
She is currently working on music videos for Weekends, Linda Hagood, and Vomit Heat, and her video piece “Ear Candy” will be shown (in full big screen glory) as part of an experimental animation night at Anthology Film Archives on December 1st in NYC.
Above: Animation still from Alice Cohen’s “Ear Candy” on Vimeo.
(Above: This episode’s collage — double-click to view fullscreen + scroll)
For Transmission #10 of Arthur Radio, we started by visualizing ourselves in a black void, lost in time somewhere between the 1970s and today. Using LED-powered building blocks, we constructed a musical pathway in order to make sense of our surroundings. Brick by colorful brick, we bridged the gap between the oily rainbow pools of German psychedelic krautrock jazziness all the way to the shimmering mists of other-worldly electronic noise being produced by the likes of contemporaries Jonas Reinhardt, Arp, Stellar Om Source, and our very special time-traveling guests, Blondes.
Standing on the other side of the bridge in the murky “now,” we found that transversing between the two realms was easier than we thought. In fact, it seemed that they were always connected by an invisible passage, for the electronic explorers of today were born of very same primordial space sludge that spawned krautrock pioneers Dorothea Raukes, Jean Michel Jarre, Manuel Göttsching and friends, some 40 years ago.
The following description was taken from the back of “The LYTE,” one of the very first audiovisualizers of its kind made in the 1980s. Its sentiment echoes how listening to Transmission #10 makes us feel, and we recommend that you meditate on it for a second before you take that irrevocable plunge, hit “play,” and start time-traveling on your own:
The written word cannot fully describe what the eye and ear can perceive. Tone by tone you see an exact, shimmering definition in light of what you hear. Exotic patterns are born, grow, contract and change shape through an infinity of dazzling complexity; each momentary image a precise electronic expression of the sound you hear…