Music from another sphere: new AXOLOTL!

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Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2009/08/01-Bonds-II-excerpt-for-Arthur.mp3%5D

Download: “Bonds II (excerpt)” – Axolotl (mp3)

Karl Bauer of Axolotl writes:

“This is an except from a track from my forthcoming Catsup Plate LP, Of Bonds in General. (The track is 15 minutes long in its full form…) It’ll be available in October/Novemberish as a vinyl LP with some complicated packaging courtesy of Mr. Rob Carmichael of Cplate/SEEN, and will come with a download card. It will also be available for download via Catsup Plate. No CD, the world doesn’t seem to need them anymore.

“This record has been in the works for a long time, the title coming from a text by Italian heretical monk/philosopher/magician Giordano Bruno on the doing and undoing of erotic bonds through magical manipulation of images. The record is the result of three years, two bad break-ups with Gemini women, a sample of 15th century Franco-Flemish composer Josquin Desprez, and massive consumption of Steve Reich, Theo Parrish and Metal Machine Music, all mixed in the Central Fire.

“I have also formed a band with poet and 50 Ft. Women member Elaine Kahn, who I accompanied last summer on the No More Bush tour. We’re called Coelom. We’re working on our first two records right now.”

Monday evening music: Hope Sandoval and the Warm Inventions

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Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2009/08/08-Trouble.mp3%5D

Download: “Trouble” – Hope Sandoval and the Warm Inventions (mp3)

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Another glamorously doomed blues serenade, with a rare chord change, from Hope Sandoval and the Warm Inventions’ forthcoming second album, Through the Devil Softly, out in late September from the good people at Nettwerk Records.

Chambo's Top Five Friday Internet Activities

• MORE AWESOME TAPES (AND 7-INCHES) FROM AFRICA: Frank lived in West Africa from 2005 to 2008, and he tells us all about it at Voodoo Funk, a collection of stories, MP3s and awesome record store art. He’s also DJing a “Lagos Disco Inferno” party this weekend in Brooklyn, and you can get a preview of the heavy grooves from his crates with this kinda sloppy and totally delightful downloadable mix. [Voodoo Funk]

• MEXICAN JOURNALISM 101: Tucson-based writer Charles Bowden is by far the best guy when it comes to reading about drugs and Mexico, partly because in Mexico you are not allowed to write about drugs and Mexico. In last month’s Mother Jones he wrote this terrifying story of a reporter who wasn’t even trying to do that, but Mexican Army psychopaths decided to try and kill him anyway. He fled to the United States looking for asylum so we put him in jail and took his kid away. [Mother Jones]

CHILEAN ELECTRONICS: Arthur pal Raspberry Jones is adding a bunch of tunes to Newly Lost Edge, including some interesting electronic music from South America. Jones is a regular go-to guy when it comes to this stuff, helpfully directing our attention to mixes such as this one from Matias Aguayo, a Chilean dude “putting on his various friends from around the world – artists from Argentina, Mexico, Colombia, Cape Verde, etc. – who aren’t just doing the local thing, so much as mixing that local thing with a (for lack of a better term) minimal techno vibe.” [Newly Lost Edge]

• ENDGAME TIME AGAIN: The Guardian UK joins the Financial Times in shoring up the British mainstream press’ reputation as a hub for radical anarcho-primitivist thought, following the Jared Diamond interview we wrote about last week with this pleasantly archaic exchange of letters between two dudes, one of whom is like “The writing is on the wall for industrial society, and no amount of ethical shopping or determined protesting is going to change that now” and another guy who’s like, “you’re just horny for the apocalypse.” [The Guardian]

NEW ANIMALS: Did you see the new animals yet? World Wide Fund for Nature has all kinds of information about the 350 different species of plants, amphibians, reptiles, fish, birds, mammals and invertebrates that humans have recently discovered hiding out in the Eastern Himalayas (so not exactly “new,” so much as “new to us”). Including this flying frog that glides around from tree-to-tree with its webbed feet. That guy is most likely on the anti-industrial society side of the debate. [WWF via Science Daily]

P.S. Happy Birthday Joe Strummer! You can read Kristine McKenna’s beautifully sprawling Q&A with the dearly departed Clash frontman and all around inspirational hero from Arthur 3 (March 2003) by clicking here. We’ve also got plenty of hard copies left in the Arthur Store. Click here to go see about that.

Sunburned Hand of the Man's "uniquely squelchy bottom end" music

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Stream: [audio:href=’http://www.arthurmag.com/magpie/wp-content/uploads/2009/08/09-Serpents-Wish.mp3%5D
Download: Sunburned Hand of the Man — “Serpent’s Wish” (128kbps)

The above “punishingly rhythmic heart-punch” is taken from from Sunburned Hand of the Man’s No Magic Man, the band’s 2005 release on Arthur’s own Bastet imprint. The colorful quotes are from The Wire‘s review, which you can read in full down below.

Chambo the Arthur Vaultkeeper would like to chime in and say that it looks like there’s only about 150 of these suckers left, so click here to stop by the Arthur Store and get your copy before this second edition is sold out …

Sayeth The Wire:

“We’ve got the closest thing to a high fidelity release here from the confirmed kings of the under-the-counter-culture, Sunburned Hand Of The Man. No Magic Man comes courtesy of Arthur magazine’s new audio imprint and it bundles a selection of some of Sunburned’s most punishingly rhythmic heart-punches to date. There are pieces here that sound like Pete Cosey-era Miles cut up with Lhasa street song and stand-up stonerskits, while others make out like the logical Heavy Metal extension of Tony Williams’ experiments with electricity as part of Lifetime alongside guitarist John McLaughlin and organist Larry Young. Guitarist Marc Orleans can generate kandy korn cartwheels as well as The Magic Band’s Jeff Cotton and combined with Rob Thomas’s bass, the two provide a steam-rolling backline that various drummers — John Moloney, Phil Franklin — work to bolster and undermine. Much of No Magic Man is possessed of a uniquely squelchy analog bottom end and between tracks there are some wowing cut-ups from various found sources that add a beautiful veneer of mystic shit to the already precariously dosed proceedings.”
David Keenan, The Wire (May 2005)

It’s 2009. Do you know what Sunburned Hand of the Man is doing? Go here — http://www.myspace.com/sunburnedhandoftheman — to find out.

Heavy "Primal Dead" from October 12, 1968

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In keeping with the Grateful Dead thread that happily resurfaces every so often here on Arthur, I’m offering up one of the heaviest bootlegs in my collection: A soundboard recording of October 12, 1968 at the Avalon Ballroom in San Francisco. It’s a show that came up in our “Listen to the Dead” story from 2005, and it’s my favorite single-disc representation of how monstrously weird this band used to be. Legendary taper Dick “Picks” Latvala is quoted on Deadlists saying that this is among his favorite performances, calling it “primal Dead.”

It’s a short show by Dead standards — just about 80 minutes — comprised entirely of CRUSHING jams. No folky “Sugar Magnolia” sing-a-long first set, not much noodly Phish bullshit and almost no sign of the gentle rainbow twirly groovin’ bear nonsense. Instead it’s near ambient passages that slowly gather speed and intensity before exploding into massive psychedelic earthquakes of rhythm that leave aftershocks of cosmic guitar lines shimmering through the air. This is the fearsome and messy STEAL YOUR FACE sound that people who compare the Dead to Royal Trux or Comets on Fire are talking about. A Dead show where you can see why Greg Ginn and the Black Flag dudes were into these guys.

Check the annotated setlist below. FYI the “>” is taper shorthand for songs joined together by “a defined jam or contiguous transition” so you get the idea how loose things get:

Set One (1) [0:23] % (2) [0:37] ; Dark Star [14:53] > Saint Stephen [4:51] > The Eleven [9:58] > Death Don’t Have No Mercy [7:#52] ; (3) [0:31]

Set Two Cryptical Envelopment [#1:28] > Drums [0:10] > The Other One [7:08] > Cryptical Envelopment [8:30] > New Potato Caboose [3:28] > Jam [3:11] > Drums (4) [1:35] > Jam (5) [7:12] > Feedback [7:15#]

A couple notes: Some Deadheads like to talk about how maybe Jimi Hendrix was hanging out in the wings during the show. As rumor has it he snubbed the band’s invite to check ’em out the night before — there was this girl and she had some acid and yadda yadda — and so they failed to invite him on to jam or something. Who knows if it’s true, but like the shows these guys played with the Allman Bros later in the ’70s, it’s fun to imagine such a ridiculous gathering of guitar avatars in one place.

People also complain about somebody who is just cold goin’ bananas with some kinda wood-stick percussion thing on “Dark Star,” all “ritzy-rit-ritzy-rit” outta rhythm with the rest of the band from time to time. Whoever it is walks up to a mic at some point and it gets really annoying in the front of your speakers for about 25 seconds but then it fades out, so just chill about that. It’s also a show where beloved keyboard slob Pigpen is not on stage — probably off getting wasted with Janis or something. Good for him!

You can stream the show over at Archive.org, or download it by clicking below.

The Grateful Dead – Avalon Ballroom, San Francisco, CA – 1968-10-12 (320kbps)

More Dead on Arthur after the jump …

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Thursday afternoon rejuvenating wake-up blast rock music: DINOSAUR JR

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[audio:http://www.arthurmag.com/magpie/wp-content/uploads/2009/08/iwantyoutoknow.mp3%5D

Download: “I Want You to Know” (mp3)

Perfect guitar tone. Two verses, cool, then they give you the big chorus–and a ear-blistering solo that the next cubicle will enjoy emanating from yr podlings. Get some ointment from HR. From the album with the year’s greatest cover, Farm, issued recently by the clearly fine folks at Jagjaguar. Acquisition info here.

Wednesday music: a 56-minute Grateful Dead Mix by Greg Davis

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Download: Grateful Dead Mix, Vol 1 by Greg Davis mp3 (large file!)

the grateful dead
vol.1 mixed by greg davis
june 28th, 2005

1. feedback (live-fillmore west – 08/21/68)
2. china cat sunflower (from ‘aoxomoxoa’)
3. seastones (live-palace of fine arts – 11/28/73)
4. the main ten (from mickey hart’s ‘rolling thunder’)
5. ripple (from ‘american beauty’)
6. spidergawd (from jerry garcia’s ‘garcia’) + its good to be god rap (live-SF state acid test – 10/02/66)
7. that’s it for the other one (from ‘anthem of the sun’)
8. seastones (original fe. 1975 version) + what’s become of the baby (from ‘aoxomoxoa’)
9. new potato caboose (from ‘anthem of the sun’)
10. late for supper (from jerry garcia’s ‘garcia’) + nirvana army rap (live – SF state acid test – 10/02/66)
11. uncle john’s band (from ‘workingman’s dead’)
12. prankster sound collage #2 (live – SF state acid test – 10/02/66)
13. attics of my life (from ‘american beauty’)
14. prankster sound collage #3 (live-SF state acid test – 10/02/66) + fire on the mountain (mickey’s barn 1973)
15. st. stephen (live – harpur college – 05/02/70)
16. rolling thunder / shoshone invocation (from mickey hart’s ‘rolling thunder’) + seastones (live – 06/06/75)
17. we bid you goodnight (live-berkeley community theater – 08/15/71)

GREG DAVIS is a working musician. Here’s what he’s up to:

out now : ‘mutually arising’ cd on kranky
out now : ‘primes’ cd on autumn records
out now : sun circle ‘s/t’ lp on lichen / autumn

http://crystalvibrations.blogspot.com
http://www.myspace.com/gregdavismusic
http://www.myspace.com/suncircle
http://www.myspace.com/cwgd

Tuesday night fried out beautiful doom blues: HEADDRESS

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[audio:http://www.arthurmag.com/magpie/wp-content/uploads/2009/08/03-03-The-Lost-White-Brother.mp3%5D

Download: “The Lost White Brother” – Headdress (mp3)

There are few more appropriate sounds than these for that part of the night when you’ve been working the old beer/greens combo and the couch seems like a great place to go visit.

Buy this whole goddamn record (called Lunes) from these guys here. This record was made possible by No Quarter Records of New York City, home of Endless Boogie, The Psychic Paramount, Circle and Doug Paisley.