A Poem by Dirk Michener

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Untitled (Horse and a Cow)
by Dirk Michener

A horse and a cow
Stand still in a
Large field

They stand for a long
Time and sometimes
Move their heads
Up and down or
Side to side

After a while
They lie down and
Go to sleep

The horse and cow
Sleep from sunset
To sunrise and wake
Slowly

They each walk to
A separate part of
A large stock tank
And drink water

They drink water for
Several minutes then
Urinate and shit

The horse and cow
Mill around
And chew at clumps
Of grass and plants
On the ground

Horse stands under a
Tree and swings its
Long tail

Cow stands by a fence
Looking at other cows
And sometimes shakes
Its head around
And chews.

[SUNDAY LECTURE NO. 1] ‘Wild Humanity: People and the Places That Make Them People’ by Freeman House

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Freeman House is a former commercial salmon fisher who has been involved with a community-based watershed restoration effort in northern California for more than 25 years. He is a co-founder of the Mattole Salmon Group and the Mattole Restoration Council. His book, Totem Salmon: Life Lessons from Another Species received the best nonfiction award from the San Francisco Bay Area Book Reviewers Association and the American Academy of Arts and Letters’ Harold D. Vursell Memorial Award for quality of prose. He lives with his family in northern California.”

That’s the biographical note for Freeman House on the Lannan Foundation website. We would add that earlier in his life, Freeman edited Innerspace, a mid-1960s independent press magazine for the nascent psychedelic community; presided over the marriage of Abbie and Anita Hoffman at Central Park on June 10, 1967; and was a member of both New York City’s Group Image and the San Francisco Diggers.

This is the first lecture in this series.


WILD HUMANITY: People and the Places That Make Them People
by Freeman House

Revised in November 2001 from a University of Montana Wilderness Lecture delivered in April 2001

1.
Richard Manning writes in Inside Passage: A Journey Beyond Borders, “…people should cease drawing borders around nature and instead start placing boundaries on human behavior…we should begin behaving as if all places matter to us as much as wilderness. Because they do.” We have not only set wilderness apart from our everyday lives; we have also made a distinction between human life and the very concept of wildness. The effect of this questionable distinction is to put a most dangerous limitation on our potential for adaptive human behavior. As Manning continues, both our parks and our culture set “a line between utility and beauty, sacred and profane. This line is destroying us, as it is destroying the planet.”

A few months ago I heard Florence Krall summarize her late husband Paul Shepard’s life work in a single sentence: There is an indigenous person waiting to be released in each of us. Our genome is “the sum of an individual’s genetic material, a product of millions of years of evolution” (Shepard 1998). The human genome is as wild as the ecological systems out of which it evolved. Basic comfort as a human being requires a conscious interaction with the more-than-human aspects of the textures of life surrounding, just as an infant needs the touch of other humans to thrive. Wild animals can survive for a while in a zoo. Contemporary humans are trained for survival in the zoo of an abstracted, objectified, and commodified world.

The genome demands, writes Shepard, that our cultures constitute a full and rewarding mediation between ourselves and the ecosystems within which we live. By this tenet, our genome, the structure within which our rational processes are embedded, is requiring of us that we recover our niches in particular ecosystems. Strong and mysterious language: the genome demands. It suggests that we are impelled to engage the health of our watersheds and ecosystems as a first step in our search for sanity—for ourselves, for our communities, and for our species.

The title of this series is the poetics of wilderness, but I’d rather be talking about the poetics of the wild. Because it’s among my assumptions that “wilderness” is a social and political construct, while the word “wild” is best used to describe the essential organizational structure of Creation; that Creation is a wild unfolding; and that we humans (as well as all our co-evolved life forms) are both expressions and agents of that unfolding.

Given these premises, it is quite possible that the self-satisfied technological advances of the last 500 to 5000 years of so-called civilization may not represent the pinnacle of evolution we encourage ourselves to believe they are. Continue reading

Inter-Dimensional Music presents a new Arthur mixtape — “BACKCOUNTRY CHILLOUT VOL. 1”

BackcountryWeb

Inter-Dimensional Music presents BACKCOUNTRY CHILLOUT VOL. 1
A $3.00 Arthur mixtape compiled by Daniel Chamberlin

Buy Now Buy Now Buy Now Buy Now Buy Now

Daniel Chamberlin writes:

There’s a good reason that Inter-Dimensional Music is the number one New Age radio broadcast in the Big Bend region of Far West Texas: Since we first started transmitting on Marfa Public Radio back in the spring of 2010, each song we’ve played has been selected with the goal of offering all the souls passing through the Chihuahuan Desert a soundtrack worthy of our luminescent high country vistas.

So whether you’re waiting in line at the Sierra Blanca Border Patrol checkpoint; watching the lights of Boquillas from the South Rim of the Chisos; channeling the spirit of curandera Jewel Babb deep in the Quitman Mountains; decoding starlight vibrations at the McDonald Observatory; vibing on the sky island rhythms of the Davis Mountains Preserve; documenting rock art sites off Casa Piedra Road; or if you’re just another lonely backpacker waiting for your man down by the Rio Grande, we’re here to score your time under the radiant heavens of the Trans-Pecos with a soundtrack of expansive ambience and transcendent psychedelic drone.

Thus, in collaboration with our old friends at Arthur Magazine, ID Music presents this first edition of Backcountry Chillout, a collection of contemporary New Age music hand-picked for arid wilderness viewing stations. So light that special incense you’ve been saving, reposition your moonlight gemstones however the plant mind directs you, point the speakers toward the screen door and adjourn to the porch. Leave us on repeat until everything’s back to tranquilo again.

And be sure to join me, Daniel Chamberlin, the first Sunday of every month from 9-11p (CST) on KRTS. That’s 93.5FM if you’re fortunate enough to dwell out here in the Big Bend. We’re also streaming live worldwide at marfapublicradio.org and archived at interdimensionalmusic.com

Vaya con Gaia,

Daniel “Chambo” Chamberlin

* * *

Music featured on “Backcountry Chillout Vol. 1”:

1. Matthewdavid – “Sneaky Marfa” (previously unreleased)

2. Sean McCann – “Aerial Sapphire Show” (from The Capital)

3. $3.33 – ” ) ) )-)-)-)-)-)-)-)-)-)-)-) ) ) )-)-)-)-)” (from – – – – — — — – – – –)

4. Ashan – “Forest Hair” (from Ancient Forever)

5. Sun Araw Band IX – “Canopy” (from Two From The Desert: Yucca Valley 2012)

6. Stag Hare – “Song for Justine” (previously unreleased)

7. Thoughts On Air – “A Psoft Psun Reflective” (from
Black Eagle Child/Thoughts On Air)

8. Matthewdavid – “Sneaky Marfa Slow” (previously unreleased)

Liner notes and cover artwork by DANIEL CHAMBERLIN.
Engineered by BOBBY TAMKIN at The Sound Ranch.

This new mixtape is now available direct from Arthur to your internet connection as a $3.00 digital download. As an added bonus, each download comes with liner notes by Daniel Chamberlin, along with a large-size image file of his cover artwork.

Click the following linkage to purchase using a debit card, credit card or Paypal account.

Buy Now Buy Now Buy Now Buy Now Buy Now

A link to download the “Backcountry Chillout Vol. 1” zip file (142mb — includes digital music file [320kpbs mp3], artwork, liner notes) will be emailed to you upon payment.

All proceeds help Arthur Magazine to embrace new possibilities.

Thank you kindly, hope you enjoy.

The Arthur Gang

Anthony Alvarado’s D.I.Y. MAGIC going to 2nd Edition in 2015 from Perigee

Anthony Alvarado‘s “D.I.Y. Magic” ran as a column for this website in 2010-11. In 2011, it was collected and expanded into book form through Floating World Comics, with 40 illustrations (curated by FWC’s Jason Leivian) and a cover designed by Lord Whimsy…

With that initial edition of 1,000 copies now sold out, Anthony has signed a deal with Perigee Books, an imprint of Penguin, to bring a revised, second edition of D.I.Y. Magic to the public in Spring 2015. This new edition will have about 50 pages of new material, with accompanying artwork again curated by Jason Leivian.

Congratulations, Mr. Alvarado!

D.I.Y. Magic is the third book to see publication in recent years after debuting in some form in Arthur. The others are 25,000 Years of Erotic Freedom (Abrams, 2009), a social history/polemic by Alan Moore based on his article “Bog Venus vs. Nazi Cock-Ring: Some Thoughts Concerning Pornography” from Arthur No. 25 (Dec. 2006); and the novel Zazen by Vanessa Veselka (Red Lemonade, 2011), which was serialized on this website in 2009-10. Zazen won Veselka the 2012 PEN/Robert W. Bingham prize.

Arthur No. 35 … still available! $5 cheap! Safe for adults!

Cover by Kevin Hooyman

ARTHUR NO. 35 is still available for $5 from stores and direct from us. Or, read selected articles online, for free…

Contents:

ON THE TRAIL OF THE LONESOME SNOCK
Wily folkplayer MICHAEL HURLEY (aka Elwood Snock) has charmed hip audiences for over fifty years now with his timeless surrealist tunes and sweetly weird comics, all the while maintaining a certain ornery, outsider mystique. Longtime Snockhead/Arthur Senior Writer BYRON COLEY investigates this Wild American treasure in an enormous 11,000-word, 8-PAGE feature replete with rare photos, artwork, comics… and a giant color portrait by Liz Devine. Snock attack!

CHEW THE LEAVES, GET IN THE TANK
Inside Baltimore’s T HILL, new kinds of experiments with salvia divinorum are going on. Journalist/photographer Rjyan Kidwell visits Twig Harper, Carly Ptak…and the Wild Shepherdess.

BURIED ALIVE BY THE SUFIS
Swap-O-Rama Rama founder and author WENDY TREMAYNE (The Good Life Lab: Radical Experiments in Hands-On Living) wanted to understand what motivated her life-long anti-consumerism. She found the answer underground. Illustration by Kira Mardikes

GASH, CRASH, ASH
Nobody rides for free. DAVE REEVES on the price motorcyclists pay for being better than you. Illustration by Lale Westvind.

THE BIOPHONIC MAN
Guitarist, composer and analog synthesizer pioneer BERNIE KRAUSE left the recording studio to find that really wild sound. What he discovered was far more profound. Interview by Jay Babcock. Illustrations by Kevin Hooyman.

GIANT STEPS FOR MANKIND
Stewart Voegtlin on JOHN COLTRANE’s startling 1960s ascension from space bebop to universe symphonies. Dual astral/material plane illustration by Beaver.

FLOWERS, LEAVES, ANARCHISM
Matthew Erickson on the J.L. Hudson Ethnobotanical Catalog of Seeds

Plus…

* Arthur’s new regular column “Come On In My Garden” debuts. This issue, Camilla Padgitt-Coles visits Enumclaw’s Norm Fetter at his family’s Pennsylvania mushroom farm. They’re medicinal!

* The Center for Tactical Magic on demons and drones

* New full-page full-color comics: “Forgiveness” by Julia Gfrörer and Part 2 of Will Sweeney’s “Inspector Homunculus” serial.

* And, of course, the “Bull Tongue” exhaustive survey of underground cultural output by your intrepid guides Byron Coley and Thurston Moore…

The last two issues of Arthur are sold out from us. Don’t blow it, bucko. Click here to order this issue now at the Arthur Store. $5 cheap!

Arthur editor’s quasi-manifesto for rural living, published in Wilder Quarterly

The new issue of Wilder Quarterly features a piece by me and my partner, Stephanie Smith, on our “off the pavement but on the grid” life out here in Joshua Tree: wilderness stewardship, structure rehab, edenification, permaculture, mutual aid, climate change mitigation,  urban outreach, stargazing, tortoise-beholding, etc. Here’s an image of the first two (of six) pages, with photography for Wilder by Elizabeth Weinberg

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You can read the full text at our website: JTHomesteader.com/manifesto

We also have a Twitter: twitter.com/JTHomesteader

GREEN LOVE: PETER LAMBORN WILSON’S NEW BOOK, RIVERPEOPLE

New book from the great Peter Lamborn Wilson (aka Hakim Bey), now available to order via Autonomedia

This “epic” mixed poetry and prose text about an area of upstate New York is organised around seven historical, geographical and aesthetic events that once took place along the euphoniously-named Esopus River, with which the author says he fell in “green love.” Peter Lamborn Wilson provides a literary and philosophical tour-de-force of local history, including the “cartolagic” documentations of the performances he conducted to commemorate and to “re-enchant these landscapes” so threatened by vulgar materialism and ecological devastation.

“Every map has its Night Sky because the Map is not the Territory — & yet it is….

Ordinary maps project ideological inscriptions onto the body of landscape — but a magical map would share essences with that landscape & engage in co-realization with it. Such a map could then act as a pilgrim’s guide to the Profane or— Secular Illumination — a pagan theory of Sacred Earth as cartomantic spell. Looked at this way, even ordinary maps possess an “invisible” or nocturnal dimension, or rather a set of stars & asterisms that replicate or mirror its topography & hydrography in the sleeping sky — ‘As Above, So Below’ — sciences that (as Novalis says) will then have been poeticized.”