Tag Archives for collage

Arthur Radio Transmission #30 w/ ALICE COHEN

Above: Collage of spliced animation stills taken from Alice Cohen’s “Mirror Moves For Private Eyes” on Vimeo.

Alice Cohen is a musician-animator, a wearer of various brightly-colored hats who has traversed many a terrain over the past 30 years, from Philly r&b songwriter to new wave frontwoman (of The Vels) to the present, where she is both a one-woman-band (her most recent LP “Walking Up Walls” was released on Olde English Spelling Bee in 2009) and the creator of many magical worlds in her meticulously collaged stop-motion animations, which draw from a palette of art deco interiors, vintage women’s fashion magazines, early hollywood memorabilia, abstract shapes, insects, birds, the moon, dream spaces and beyond.

She is currently working on music videos for Weekends, Linda Hagood, and Vomit Heat, and her video piece “Ear Candy” will be shown (in full big screen glory) as part of an experimental animation night at Anthology Film Archives on December 1st in NYC.


Above: Animation still from Alice Cohen’s “Ear Candy” on Vimeo.

STREAM IT: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/11/arthur_radio_30_w_alice_cohen.mp3%5D

KEEP IT: Arthur Radio Transmission #30 w/ ALICE COHEN 9-18-2010
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ARTHUR RADIO VOYAGE No. 4

Arthur Radio Voyage No. 4: SOUNDSCAPES. Ivy Meadows and Gustav Ernst meditate in the zen-like interior of the new Newtown Radio studio. Hairy Painter joins telepathically whilst building a float in New Orleans. We invite you to climb aboard the sonic airship…

Stream: [audio:http://www.arthurmag.com/magpie/wp-content/uploads/2010/02/ARTHUR-RADIO-4_-SOUNDSCAPES-2-07-2010.mp3%5D

Download: Arthur Radio Voyage No. 4 SOUNDSCAPES 2-07-2010

Opening September 9th – Genesis P-Orridge Retrospective at Invisible-Exports in NYC

Invisible-Exports is proud to present a 30-year retrospective of collage works by performance artist, writer, musician and provocateur Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV). Genesis is also known among underground circles for he/r affiliations with Brion Gysin and William S. Burroughs, both of whom greatly influenced he/r work. In recent years, P-Orridge began “an ongoing experiment in body modification aimed at creating one pandrogynous being,” received breast implants and started going by “s/he.” This retrospective will showcase the breadth of conceptual imagery (i.e. the “cut-up” technique of the early 20 century Surrealists and elements of Dada-ism) that P-Orridge has been working with in h/er collages over the course of the past three decades:

“30 Years of Being Cut Up” is a three decade retrospective of photomontage and Expanded Polaroids, which includes many works never exhibited before, as well as a sampling of P-Orridge’s early Mail Art. The show will mark the culmination of a new, re-emergent phase in BREYER P-ORRIDGE’s life. He/r career — and most particularly he/r recent pursuit of pandrogyny — tests the limits of transgression and traces the tragic fate of the underground, proving again the expressive power and pervasive influence of those artists who take the world not as it comes to them — sensible, orthodox, predictable — but as they would like it to be.

INVISIBLE-EXPORTS
Opening Wednesday, September 9th, 6-8PM.
14A Orchard Street, just north of Canal / New York, NY 10002
Hours: Wednesday through Sunday, 11- 6:30pm, and by appointment.
For more information, call 212 226 5447 or e-mail.

IN THE ARTHUR ARCHIVES…
Genesis P-Orridge in conversation with Douglas Rushkoff, photographed by Shawn Mortensen: Arthur No. 2 (sold out)
Genesis P-Orridge’s ten favorite psychedelic folk songs: Arthur No. 13