The single “The Naz” features Sly Stone on vocals telling the story of Jesus Christ of Nazareth as told by beat poet Lord Buckley in his famous poem “The Nazz”. Sly uses his trademark radio rap that he used to kick as a DJ on San Francisco’s radio station KSOL-AM. “He just laid it down and we built the entire song around it,” says Clinton.
The second song on this single is “Nuclear Dog”, an instrumental rock reworking of Clinton’s 1983 chart topping hit “Atomic Dog.” In classic Funkadelic tradition, “Nuclear Dog” features blazing solo after solo from long time P-Funk guitarist DeWayne “Blackbyrd” McKnight. Jazz fans should know Blackbyrd from his start with the great Sonny Rollins and subsequent legendary work as a member of Herbie Hancock & The Headhunters before he joined P-Funk.
For this episode of Arthur Radio, our dear friend Michael (aka warbling troubadour Mountainhood) left his woodland home in northern California and trekked across the vast continent to join us in wet, grey Brooklyn. His live set, recorded in Hairy Painter’s living room, somehow captures the dewy green landscape he inhabits out west; the quiet of the wind rustling the treebranches, the feeling that a four-legged creature may be watching from nearby, protectively…
Mountainhood’s songs capture a sense of both solitude and oneness with nature that is for the most part difficult to find in the concrete jungle of New York City. Michael, however, feels at home in both environments– and is more than happy to share his stories, songs and artwork with friends new and old alike, wherever his journey takes him.
Alice Cohen is a musician-animator, a wearer of various brightly-colored hats who has traversed many a terrain over the past 30 years, from Philly r&b songwriter to new wave frontwoman (of The Vels) to the present, where she is both a one-woman-band (her most recent LP “Walking Up Walls” was released on Olde English Spelling Bee in 2009) and the creator of many magical worlds in her meticulously collaged stop-motion animations, which draw from a palette of art deco interiors, vintage women’s fashion magazines, early hollywood memorabilia, abstract shapes, insects, birds, the moon, dream spaces and beyond.
Artist behind Parliament Funkadelic art struggles to get by
Chicago’s Pedro Bell was the artist behind some of music’s most iconic album covers. Now his life is anything but a pretty picture.
November 9, 2009
BY KARA SPAK Staff Reporteremail@example.com
Thick dust covers the gold lame shirt and silver leather coat in Pedro Bell’s closet.
The clothes are remnants from a brighter time when Bell, a rainbow Afro wig on his head and platform shoes on his feet, strutted through Chicago as a charter member of the ’70s funk revolution whose sound is heavily sampled in rap songs today.
“It was psychedelic from a black perspective,” Bell said.
Bell, 59, designed the cover art for more than two dozen George Clinton and the Parliament Funkadelic albums. Under the name Sir Lleb (Bell backward), he wrote the albums’ liner notes, peppering them with cartoonish drawings, clever puns and names like “Thumpasaurus” and “Funkapus” that remain synonymous with Clinton’s music.